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Dec 17
by Jim Brock in Reviews 0 comments tags: #fujimusicphotography, #fujixt3, #mrmusichead, Cameron Graves, concert photography, Eye on the Music, Fuji music photography, jazz photography, Jim Brock Photography, JustJazz, Mack Avenue Records, Mr. Musichead, music photography, Planetary Prince, West Coast Get Down

Mack Avenue Records Takeover with Alfredo Rodriguez and Cameron Graves Trios, Mr. Musichead Gallery

December 12, 2018 What a monster night last Wednesday with the Mack Avenue Records Takeover of Mr. Musichead Gallery. Featuring two richly textured and completely energized piano trios. The new to me Alfredo Rodriguez was lyrical and joyful, as if the best of mid-career Pat Metheny flowed through the ivories via Cuba and Brazil. Bassist Munir Hossn, he of the cheshire grin and constant motion, would switch to a nylon string cutaway in quieter moments, and both Rodriguez and Hossn picked up the sticks to join drummer Daniel Rodriguez in percussive celebration before closing with a samba take on “Thriller”. (Q, a big influence on pianist Rodriguez). After a break, Cameron Graves took the rest of the night in another direction, mixing material from last year’s stellar “Planetary Prince”with new material for his trio, that includes Maximillion Gerl on bass, and the phenomenal Mike Mitchel on drums. Graves and fellow West Coast Get Downers Kamasi Washington, Miles Mosley, Ryan Porter, Ronald Bruner, Jr. among them, continue to shape and push and challenge and tug at jazz traditions, and hearing this trio do it’s thing in such an intimate space was a thriller of a different sort. Especially, drummer Mitchel, who […]
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Nov 16
by Jim Brock in Reviews 0 comments tags: concert photography, Eye on the Music, jam bands, JBP blog, Jim Brock Photography, Joe Russo, Joe Russo's Almost Dead, JRAD, live music photography, LMB, rock photography, The Wiltern

Joe Russo’s Almost Dead, Wiltern Theatre

November 8, 2018 A quick interweb search shows more than 500(!) Dead influenced or tribute bands. Yup, the reach of the Dead is just staggering, whether the generation is golden or newly spawned. To whit, “songs are like fairy tales,” Phil Lesh said in a recent Relix Radio Hour podcast, “all versions are true…I can predict that they’ll still be playing these songs in 100 years”. I give you Exhibit A. JRAD. Hear me out. Joe Russo’s Almost Dead (“JRAD”) plays Dead songs fearlessly and all in. Excursions that land rooted to the tune and journeys that are a head shaking helluva ride. These guys embrace the spirit behind the songs and make them completely their own. With JRAD, I don’t relive the Dead, inasmuch as feel what they did to me then in real time now. I hit my first JRAD show last week (one of two dates at the historic Wiltern Theatre), a generous two setter that was in high gear from the opener (Golden Road to Unlimited Devotion) to the last note of the encore (Samson & Delilah). And, I have to say, they brought more life to Dead tunes than just about any Dead related show […]
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Sep 27
by Jim Brock in Reviews 1 comments tags: #greektheatre, #tromboneshorty, #voodoothreauxdown, Ben ellman, Charlie Gabriel, concert photography, Cyril Neville, Dave Grohl, Epiphone guitar, Erica Falls, Eye on the Music, Galactic, Greek Theatre, Gretsch drums, Jim Brock Photography, Kermit Ruffins, live music photography, New Breed Brass Band, New Orleans music, Orleans Avenue, Preservation Hall Jazz Band, rock photography, Shamarr Allen, Stanton Moore, Trombone Shorty, Voodoo Threauxdown, Walter Wolfman Washington

Trombone Shorty’s Voodoo Threauxdown, Greek Theatre, Los Angeles

September 15, 2018 My handy wiktionary tells me “throw down” is “to accomplish or produce something in a grand, respectable, or successful manner; to “represent””. Well, when it comes to the travelling New Orleans road show billed as Trombone Shorty’s Voodoo Threauxdown, to say that the four acts crossing the country this summer just represented, is like saying we live in uneventful times. Uh, yeah, they represented, alright. This had to be one of the best shows of the season.   This threauxdown was as close as Jazz Fest gets on the road. New Breed Brass, Pres Hall, Galactic and Shorty would be a great day on any Fest stage. That they’ve been at mid-size venues from coast-to-coast and back again is like musical room service for those with a taste for New Orleans.   When New Breed kicked off at 7, for a brief (20ish minutes), but very punchy set, the Greek was looking a little sparse. That wouldn’t last long. No breaks for this brass, they had their foot on it for the full 20.           By the time Pres Hall picked it up at 7:30, the sun was down and seats were filling […]
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Sep 10
by Jim Brock in Latest News 0 comments tags: #hottuna, #jackcasady, #jormakaukonen, concert photography, El Rey Theatre, Epiphone bass, Eye on the Music, Gibson Firebird, Gibson SST, Hot Tuna, Jack Casady, jam bands, Jim Brock Photography, Jorma Kaukonen, rock photography, Steve Kimock

Hot Tuna (Electric), El Rey Theatre, Los Angeles

September 6, 2018   Birthed of the 60s, the Haight, ingestibles and another time, before jam bands became a thing, there was the Jefferson Airplane. A band I was too young to see live, but burrowed into me, nonetheless. I soared on Grace Slick’s vocals and got interplanetary with Paul Kantner. But guitarist Jorma Kaukonen and bassist Jack Casady were the instrumental beating heart of the band. Casady with that tree trunk tone and Kaukonen’s signature fretwork and reedy vocals. The Airplane is generations gone, and (good riddance), all the clunky spin offs that followed are long past, too. Space captain Kantner left us a few years back and Slick left music in the late 90s (though she remains a very active visual artist).   Fortunately, Hot Tuna, the Casady-Kaukonen psychedelically rooted blues trio is rolling into year 50, with an electric tour that stopped at the El Rey Theatre the Thursday after Labor Day. Like other recent tours, multi-dimensional guitarist Steve Kimock joined the Tuna for a good part of both sets (the K-men run deep, Kimock a teacher at Kaukonen’s Fur Peace Ranch Guitar Camp, which sounds like a pretty special place to hang, if you got the […]
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Sep 01
by Jim Brock in Reviews 0 comments tags: #newportjazzfestival, Ambrose Akinsimure, Anat Cohen, Andra Day, Artemis, BadBadNoGood, Bill Withers, Brian Blade, Cécile McLorin Salvant, Charles Lloyd, Christian McBride, Christian Scott Atunde Adjuah, concert photography, Cory Henry & the Funk Apostles, Derrick Hodge, Doug Wimbish, Doug Woolverton, Eric Alexander, Eric Harland, Eye on the Music, funk, George Clinton & Parliament Funkadelic, GoGoPenguin, Gregory Porter, Harold Mabern, Indo-Pak Coalition, James Carter, Jason Moran, jazz photography, jazz piano, jazz saxophone, jazz vocals, Jazzmeia Horn, Jennifer Hartswick, Jim Brock Photography, Jose James, Joshua Hill, Joshua redman, Laurie Anderson, Living Colour, Louis Cole, Lucinda Williams, Marcello Goncalves, Marquis Hill’s Blacktet, Matthew Shipp Trio, Mothership, music photography, Nick Cassarino, Nicole Mitchell, Origami Harvest, Pat Metheny, R + R = Now, Reuben Rogers. Jon Batiste, Robert Glasper, Rudresh Mahanthappa, Sangam, Still Dreaming, Vernon Reid, Zakir Hussain

Newport Jazz Festival 2018, Fort Adams, Rhode Island

Music keeps you young. One didn’t have to look further than 92-year old George Wein introducing 80 year-old Charles Lloyd on Saturday to figure that out. Wein, co-founder and patriarch of all things Newport Jazz, was delighted when Lloyd wanted to kick off his ninth decade at Newport and Wein bestowed him the honor of 2018’s artist in residence, with Lloyd performing in strikingly different musical settings over the festival’s three days.   Count myself lucky this year to cover both the Folk and Jazz weekends at the Fort and still had the glow from the Folk Festival as the town pivoted with ease from one to the other. Monday night was a table setter at the 5th Element for trumpeter Doug Woolverton and Joshua Hill, an up and coming pianist who sat in, and I would get to know better as the week went on (and so will you in the years ahead).   As with Folk the previous weekend, discoveries are at the heart of Newport Jazz. And while I consider myself pretty steeped in the stuff, I was familiar with, perhaps, a quarter of the acts coming into Friday. While Still Dreaming featuring Joshua Redman and Brian […]
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Aug 17
by Jim Brock in Reviews 0 comments tags: #folkyeah, #newportfolk, 12-string, alt-country, Americana, Ben Harper, Beneath the Sacred Mountain, Bermuda Triangle, blues guitar, blues music, blues photography, Brandi Carlile, Brittany Howard, Change Is Gonna Come, Charlie Musselwhite, Charlie Parr, Cheech & Chong, Chris Thile, concert photography, Coulter Wall, Courtney Barnett, Daniel Norgren, Eric Johnson, Eye on the Music, funk, Gary Clark Jr., Gibson SG, Glen Hansard, Glorietta, Hamilton Leithauser, Hiss Golden Messenger, indie folk, indie rock, Jason Isbell, Jay Sweet, JD McPherson, Jen Cloher, Jenny Lewis, Jerry Douglas, Jim Brock Photography, Jim Brock Photography. Newport Folk Festival, Jon Batiste, Kanene Pipkin, Khruangbin, Langhorn Slim, Leon Bridges, LMB, Lone Bellow, Lucius, Lukas Nelson, Maggie Rogers, Marcus Mumford, Margo Price, Mavis Staples, MC Taylor, Michael Rosenberg, Moses Sumney, Mumford & Sons, Nels Cline, Newport Folk Festival, Nicole Atkins, Passenger, Phoebe Bridgers, post, Promise of the Real, Rachael & Vilray, Rachael Price, reggae, Resonator, rock photography, roots music, Shakey Graves, Side Toure, St. Vincent, Stratocaster, Sturgill Simpson, Tank & the Bangas, Telecaster, The Weather Station, This Is The Kit, Toots & the Maytals, Valerie June, Wood Brothers, world music, Zach Williams

Newport Folk Festival 2018, Fort Adams, Rhode Island

July 27-29, 2018   In a recent podcast, producer Jay Sweet reflected on Newport Folk this way “if this festival for you is about the headliners, I don’t think this is your festival”. Not that the headliners were too shabby. Jason Isbell (with a David Crosby sit-in), Unannounced (aka, Mumford & Sons) and the closing Change is Gonna Come set, more than held down the Fort. But Newport Folk (and Jazz) is about discovery, collaboration and experimentation. It’s The War & Treaty, The Weather Station, This is the Kit, Charlie Parr, Phoebe Bridgers, and Glorietta, to name a few that stood out. It can be “a bunch of people from a bunch of bands playing a bunch of songs” as Eric Johnson said from the Quad Stage, during Saturday’s Beneath the Sacred Mountain set. If not for Newport, The Lone Bellow (Sunday) and Hiss Golden Messenger (Saturday) would not have worked their way into my world years ago. Not to mention all the goodness my ears and heart enjoyed in between the new and familiar.   The Fort’s four stages are close, but not tight, and stage times rarely compete like so many other festivals where you can’t tear yourself […]
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Aug 08
by Jim Brock in Latest News 0 comments tags: Eye on the Music, jazz photography, Jim Brock Photography, Joshua Hill piano, Newport Daily News, Newport Jazz Festival

Newport Jazz Fest inspires young pianist Joshua Hill

The Newport Jazz Festival has its share of discoveries. This year, mine was not on any the Fort stages (yet), but you can bet that won’t last long. I heard Joshua Hill sit in with trumpeter Doug Woolverton last Monday at The Fifth Element on Broadway, and my ears stood on end. That he’s 19, and only been at it for a few years is more than a little wow. The Newport Daily News piece has a great profile of Josh and features a 1/4 page above the fold photo from a quick shoot I did with him the week before the festival. Joshua Hill. Remember the name.   Some other images from that shoot below.                        
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