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Jul 05
by Jim Brock in Reviews 0 comments tags: Alabama Shakes, Americana, Andrew Bird, Arroyo Seco Weekend, Ben ellman, Bennie Maupin, Brittany Howard, Brottany Howard, Charles Bradley, Con Brio, concert photography, David Lindley, David Shaw, Dawes, Ed Williams, Erica Falls, Eye on the Music, Fitz & the Tantrums, Galactic, George Porter, Gibson Firebird, Gibson SG, Haley, Haley Bonar, Jade Jackson, jam bands, Jamtown, jazz photography, Jeff goldblum, Jim Brock Photography, John Mayall, Jr., Leo Nocentelli, Les Paul, Lettuce, Live, live music photography, Lukas Nelson, Marcus Mumford, Mike Campbell, Mumford & Sons, New Orleans music, New Orleans music. Erica Falls, Preservation Hall Jazz Band, Press Here, Promise of the Real, Rich Vogel, Rivers Cuomo, Rob Ingraham, rock photography, Shamarr Allen, Stanton Moore, Stratocaster, Taylor Goldsmith, Telecaster, The Meters, The Meters. George Porter, The Revivalists, The Shins, Tom Petty, Weezer, Wiley Gelber, William Bell, Zack Feinberg, Zigaboo Modeliste, ZZ Ward

Arroyo Seco Weekend, Brookside Golf Course, Pasadena

June 24-25, 2017 Festival behemoth AEG and Goldenvoice are at it again, launching the inaugural Arroyo Seco Weekend after years of negotiations with the City and citizens of Pasadena, securing a 10-year deal at Brookside Golf Course, adjacent to the Rose Bowl. It’s a family forward music festival with free entry for kids under 10, a relaxed park setting, good grub and libations and a first year lineup that was more than just respectable, it had personality. Mixing big name headliners (Tom Petty and Mumford & Sons), Fest friendly mid-tiers (Dawes, Alabama Shakes), some 90s love (The Shins, Live), a hefty does of New Orleans (The Meters, Galactic, Preservation Hall Jazz Band, The Revivalists), quite respectable jazz, soul and and blues (John Mayall, Charles Bradley, Bennie Maupin, Roy Ayers), and a number of indie comers, there was also a refreshing lack of EDM or rap/hip hop to the lineup. The price point was fair, and keeping the inaugural event to three stages and two days (three days are planned in the future), was probably a pretty smart move, even more so with record breaking heat on Sunday that felt more Coachella than DTLA proximate. Freshman fests inevitably have a few […]
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May 28
by Jim Brock in Reviews 0 comments tags: 20 Feet From Stardom, Aaron Neville, Aaron Wilkinson, Acura Stage, Adonis y Osain Del Monte, Alabama Shakes, Alex McMurray, Americana, Anders Osborne, Batiste family, Beausoleil, Blodie's Jazz Jam, blog, blues guitar, blues photography, Blues Tent, Blues Traveller, Bonerama, Brady Blade, brass bands, Brittany Howard, Buddy Guy, cajun music, Carl Dufrene, Charles Neville, Chris Mule, concert photography, Congo Square Stage, Cowboy Mouth, Craig Klein, Cuba Pavilion, Cuban music, Dairus Rucker, Dave Matthews, Dave Torkanowsky, David Shaw, Dawes, Dirty Dozen Brass Band, Dumpstaphunk, Economy Hall Tent, Eric Lindell, Eric McFadden, ES-335, Eye on the Music, Fais Do-Do Stage, Galactic, Gentilly Stage, George Porter, Gibson Firebird, Gospel Tent, Greg Hicks, Gregory Davis, Harry Connick, Heartbreakers, Helen Gillet, Honey Island Swamp Band, Instruments a Comin', Ivan Neville, jam bands, Jazz and Heritage Stage, Jazz Epistles, jazz photography, JBP website, Jeff Raines, Jeff Tweedy, Jesse McBride, Jim Brock Photography, Jimmy Herring, Joey Alexander, John Bell, John Boutte, John Popper, Johnny Sansone, Jon Batiste, Jonathon Boogie Long, Jonny Lang, Judith Owen, Kenny Wayne Shepherd, Kris Royal, Kristin Diable, Lagniappe Stage, Lake Street Dive, Lakland bass, Leo Nocentelli, Leon Bridges, Lisa Fischer, live music photography, Lone Bellow, Lorde, Lucien Barbarin, Margo Price, Mark Mullins, Michael Doucet, Mike Campbell, Mr Sipp, music photography, New Orleans Jazz and Heritage Festival, New Orleans music, Pedrito martinez, Rachael Price, Revivalists, Rhiannon Giddens, Rickenbacker, rock photography, roots music, Roots of Music, Runnin' Pardners, Skerik, Stanton Moore, Stay Human, Stevie Wonder, Taylor Goldsmith, Telecaster, Terence Blanchard, The Meters, Threadhead, Tipitina's Foundation, Tips Interns, Tom Petty, Tony Hall, Tower of Power, traditional jazz, Trey Anastasio. Languedoc, Trombone Shorty, trumpet, Tuxedo Brass, Voice of the Wetlands All-Stars, Waylon Thibodeaux, Wayne Toups, Widespread Panic, Wilco, WWOZ Jazz Tent, zydecajun

REFLECTIONS AND MUSINGS OF A JAZZ FEST PHOTOGRAPHER – 2017 EDITION

Heading home from Jazz Fest 48 it seemed I’d passed through a lifetime’s worth of sounds, tastes and bonding since arriving in New Orleans a few weeks back. Friendships deepened, the palette was bathed in constant indulgence, the liver took a bit of a hit and a soundtrack that will echo well into the dog days of Summer still resonates sweetly. For the uninitiated, Jazz Fest (short for the New Orleans Jazz and Heritage Festival) is the most diverse musical party on the planet replete with 13 stages, tents and pavilions spread across the Fair Grounds Race Course, a few miles from the French Quarter. Quite simply, there is nothing like it. And, as with the city that bears its name, Jazz Fest is not something you wrap your head around, it’s something you feel in your exhausted and happy bones. And, man, were they exhausted and happy.  My perspective is of a working photographer first and a fan second. I am on task covering 15 – 20 acts and 7-8 miles of ground a day. My musical encounters are often brief, and occasionally cosmically timed. My colleagues in the pit are extremely talented and a pretty respectful and decent bunch to […]
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Mar 22
by Jim Brock in Reviews 0 comments tags: Cameron Graves, Carlitos del Puerto, Eye on the Music, jazz photography, Jim Brock Photography, Kamasi Washington, Matt Haze, Miles Mosley, Planetary Prince, Ronald Bruner, Stanley Clarke, Tony Austin, Troubadour, West Coast Get Down

Cameron Graves, Planetary Prince Album Release, The Troubadour

March 16, 2017 The “world famous” Troubadour is not the first venue that comes to mind for boundary morphing contemporary piano driven ensemble jazz. But then, the L.A. based collective known as the West Coast Get Down, has yet to do anything by the books. It’s been a heady 2017 already for these dudes coming on the heels of bassist Miles Mosley’s headlining date at the El Rey in January, drummer Ronald Bruner Jr.’s album release party at the Teragram a few weekends back and saxophonist Kamasi Washington’s post-Epic musical and visual installation for the Whitney Biennial in NYC. Last week, it was pianist Cameron Graves turn to front this band of one/band of many, for the drop of his stellar CD, “Planetary Prince” on Mack Avenue Records (disclaimer, more astronomical adjectives could follow). Like Mosley before him, Graves got a well deserved shout out as one of 10 new artists you need to know this year by Rolling Stone, and for good reason IMHO. My ears have been pretty stuck on “Planetary Prince” the past few weeks. With eight tracks covering almost 80 minutes and the shortest clocking in at 7:28, there is an emotional arc to each built […]
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Feb 02
by Jim Brock in Reviews 0 comments tags: Cameron Graves, concert photography, El Rey Theatre, Eye on the Music, jazz photography, Kamasi Washington, Miles Mosley, Ryan Porter, Tony Austin, West Coast Get Down

West Coast Get Down, El Rey Theatre

January 28, 2017 The West Coast Get Down is better known as the L.A. collective of talent including saxophonist Kamasi Washington. Washington has commanded a lot of attention the past few years, and for good reason. That audacious 3-disc debut, “The Epic” on Brainfeeder, his collaboration with Kendrick Lamar, and 2016 dates at Bonnaroo and Coachella, to name a few. But for a change, this isn’t about Washington. This is about the band that brings those head spinning sonics to life in studio and performances. When I finally caught up with Washington for the first time at the 2016 Newport Jazz Festival, I was pretty knocked out, but when upright bassist Miles Mosley took center stage, uh, the dimension took on another dimension. Whether feverishly bowing with Hendrix like distortion and effects, or running the neck, Mosley, has mad presence and skills. The LA Weekly dubbed him “an assassin on the upright bass” for good reason and Rolling Stone called him out as one of 10 new artists you need to know, and he has a rather impressive resume of his own (Jeff Beck, Rihanna, Lamar, to drop a few names, not to mention extensive film and television credits). It’s […]
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Nov 14
by Jim Brock in Reviews 0 comments tags: Americana, Anders Osborne, concert photography, Eye on the Music, James McMurtry, Jim Brock Photography, New Orleans music, Troubadour

Anders Osborne, The Troubadour

November 11, 2016 A bill of New Orleans’ Anders Osborne with Texas drenched songwriter James McMurtry at the Troubadour was just the salve for this soul after a tumultuous and historic week. Both delivered on a night of well spun tales and songwriting excellence armed with nothing more than a few guitars and a stirring songbook. When Osborne announced his second date at the Troubadour this year (he performed with his current band in late March), it came as a bonus to any Southland fan. Osborne has been prolific of late, releasing two records just this year (Flower Box and Spacedust & Ocean Views). And, yes, as a guitar jam junkie I missed the full monty of his plugged in band, but the depth of his quieter tunes shown brilliantly in this solo setting, as it has when I’ve happened upon acoustic Osborne with frequent mates John Fohl and Johnny Sansone at Liuzza’s By The Track, or Chickie Wah Wah in New Orleans, or sharing the stage with the Southern Soul Assembly of Luther Dickinson, Osborne, JJ Grey and Marc Broussard here in Los Angeles in 2014. Friday at the Troub, his vocals were as strong and clear and poignant […]
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Oct 31
by Jim Brock in Latest News 0 comments tags: concert photography, Eye on the Music, Jim Brock Photography, music photography, Newport Jazz Festival

Newport Jazz Festival 2017

Jim Brock Photography is proud to contribute to the Newport Festival tradition with this splash image for next year’s Jazz Festival, the first under incoming Artistic Director Christian McBride.. Early flex tickets available now.
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Oct 25
by Jim Brock in Reviews 0 comments tags: concert photography, Eye on the Music, George Porter, Jane's Addiction, Jim Brock Photography, Laith Al-Saadi, Lakland bass, New Orleans music, Stephen Perkins, Tal Wilkenfeld, Terrence Houston, The Meters, The Mint, The Voice

George Porter, Jr. & Friends, The Mint

October 21, 2016 Any chance to hear Meters bassist George Porter, Jr. in the southland is a treat, and he brought a little Maple Leaf with him for a generous two-setter at The Mint billed as a celebration of Porter, Jr. with special guests. GPJ was flanked by drummer Terrence Houston and Michael Lemmler on keys throughout the night. Tal Wilkenfeld, another absolutely remarkable four-stringer was the first to sit in, and the bass off that ensued was memorable, to say the least. Singer-guitarist Laith Al-Saadhi helped close the first set with a smoking “Sneakin’ Sally Through the Alley”. Jane’s Addiction drummer Stephen Perkins joined Houston behind his kit to start the second set and took over for a few tunes digging in with all the physicality of his other band. The set featured a killer “Lovelight” and staples like “I Feel Like Funkin’ it Up”, “Hey Pocky Way”, ”Will it go Round in Circles” and a charging take of “Them Changes”. The show finished at a very Leafy 1:20 AM or so. Porter, Jr. was honored on Saturday with a Lifetime Achievement Award by Bass Player Live! and The Mint gig left no doubt of how deserving the funk […]
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