Jim Brock Photography | Eye on the Music

Sep 29

by Jim Brock in Reviews 0 comments tags: 80s music, 90s, 90s music, Aerosmith, Americana, artWork, Avett Brothers, blog, blues, Blues Traveller, Bob Crawford, Cary Ann Hearst, Chris Isaak, Chris Vos, classic rock, Cold War Kids, Colvin & Earle, concert photography, Daryl Hall, Derry, Derry deBorja, Dumpstaphunk, Dustbowl Revival, ES-335, Eye on the Music, Hall & Oates, Humor Me, Ian Neville, indie rock, Ivan Neville, Jack Johnson, jam bands, Jason Isbell, Jim Brock Photography, Jimbo Hart, Jimmy Buffett, Joe Kwon, Joe Perry, John Oates, John Popper, KAABOO, Karl Denson, Karl Denson & His Tiny Universe, Lenny Kravitz, Macy Gray, Marc Cazoria, Margaritaville, Mark McGrath, Michael Trent, Mowglis, Nathan Willett, New Orleans music, parrotheads, Paul Janeway, roots music, Sarah Silverman, Scott Avett, Seth Avett, Shakey Graves, Shawn Colvin, Shovels and Rope, St. Paul & the Broken Bones, Stephan Jenkins, Steve Earle, Steve Tyler, Sugar Ray, Tania Elizabeth, Telecaster, The Record Company, Third Eye Blind, Tony Hall, Zach Lupetin

KAABOO 2016

September 16-18, 2016 KAABOO is an art and food festival with a serious music problem – a weekend away with a killer soundtrack. With a year to percolate since last year’s inaugural, KAABOO again flashed musical diversity, tasty cuisine, artisanal liquids, five-story art, good humor and an abundance of creature comforts around the historic Del Mar Fairgrounds. It’s an event and region meant for each other.The brainchild of entrepreneur Bryan Gordon, KAABOO is also a refreshing break from the AEG, Goldenvoice and Live Nation events that dominate much of the festival landscape. Sophomore KAABOO was not without its hiccups, but its place in the California festival landscape is certainly secure. Aerosmith saw to that. The unlikely pairing of Macy Gray and Chris Isaak kicked off the event Thursday night for those with “Amplify” passes. Her set was frothy, funky, full of sexuality and maybe a little lost on the not so danceable crowd, while his was schmaltzy, entertaining and well rehearsed with his band of 30 years (and the guy can still hit all the high notes of “Wicked Game” without flinching and probably ages slower than the rest of us). Not to mention there was so much good food being […]

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Newport Jazz Festival 2016

July 29-31, 2016 Newport Jazz. Coltrane’s last performance. History that reaches back to 1954. And, yes, the oldest annual jazz festival in North America is still under the stewardship of founder George Wein for one last year. Newport, along with the Monterey Jazz Festival on the West Coast in September, stands taller than the rest and for good reason. The stunning Ft. Adams setting, the showcase for fresh directions and emerging acts, and the legacy of musical giants past and present all converge for an event that has long been on my jazz bucket list. Having the good fortune to drop in at Newport Folk the past few years, this was my first shot at Newport Jazz, which retains the stage layout from the previous week’s Folk Fest. The smallest tent is barely more than a dozen rows deep, while the largest stage is set against a backdrop of breathtaking bay and bridge views. Both events are incredibly relaxed and attendance is capped at 10K, creating one of the more intimate festival experiences of any year. Sure, the crowd and vibe skew differently between weekends, but damn if jazz isn’t alive and well in the Northeast, and a younger Millenial […]

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May 23

by Jim Brock in Reviews 0 comments tags: Aaron Wilkinson, Acura Stage, alt-country, Americana, Anders Osborne, BB King tribute, Ben ellman, Big Sam Williams, Billy Gibbons, Blodie's Jazz Jam, blues, Blues Tent, Bonnie Raitt, Boz Scaggs, Brandi Carlile, Brian Blade, Buddy Guy, Carl Dufrene, Chris Mule, classic rock, Clevenger, concert photography, Congo Square Stage, Cyril Neville, Dap Kings, Dave Malone, David Shaw, Derek Trucks, Dirty Dozen Brass Band, Donald Fagen, Economy Hall, Efrem Towns, Elvis Costello, Eye on the Music, Fais Do-Do Stage, Gal Holiday, Galactic, Gary Clark Jr., Gentilly Stage, Gibson SG, Gov't Mule, Gregory Porter, Herbie Hancock, Herlin Riley, hip hop, Honey Island Swamp Band, Hot 8 Brass Band, J Cole, Jack DeJohnette, jam bands, jam bands Susan Tedeschi, Janelle Monae, Jarekus Singleton, Jazz and Heritage Stage, jazz photography, Jazz Tent, Jim Brock Photography, Jim James, Jimmy Vaughn, John Hammond, Kirk Joseph, Kristin Diable, Lauryn Hill, Little Freddie King, Lost Bayou Ramblers, Mardi Gras Indian, Matt Garrison, Michael McDonald, Midnite Disturbers, Monk Boudreaux, My Morning Jacket, Nathaneil Rateliff, Neil Young, New Orleans Jazz and Heritage Festival, Nicholas Payton, Nightsweats, Paul Simon, Preservation Hall Jazz Band, Promise of the Real, Radiators, Raw Oyster Cult, Revivalists, Rhiannon Giddens, roots music, Shannon Powell, Sharon Jones, Skerik, Snarky Puppy, Sonor, Soul Rebels, sousaphone, Steely Dan, Stratocaster, Subdudes, Tab Benoit, Tedeschi Trucks Band, Terence Blanchard, trombone, Voice of the Wetlands All-Stars, Walter Trout, Warren Haynes, WWOZ Jazz Tent, ZZ Top

Reflections and Musings of a Jazz Fest Photographer – 2016 Edition

Yeah, it’s been a year of musical losses. But, Prince, the day before Jazz Fest 47 got underway? WTF? From the glyph etched in the blue above the Fair Grounds the first weekend, to the Treme second line the Monday following, to My Morning Jacket’s howling “Purple Rain” finish second Friday, Jazz Fest did its part, as it always does. “I am because he was”, Janelle Monae confessed to the Congo Square stage crowd. And whether Prince or Bowie or Toussaint or B.B. or Merle, and on and on, Fest is where the music is honored and celebrated like no other gathering on the planet, even when heaven and earth throw everything at you. And this was a Fest like no other, where Stevie Wonder’s only Fair Grounds performance was an acapella Purple Rain through a bullhorn in a deluge, and where it was impossible to tell the booming thunder above, from Neil Young and POR below. The music stuck like the deep muck of the infield and never let go. And whether on stage, dancing with a stranger, singing along, holding back tears, sharing a bite, sleeping it off, that’s just a Jazz Fest fact. This photographer took […]

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Apr 25

by Jim Brock in Latest News 0 comments

Gambit Weekly Second Weekend Jazz Fest Edition Cover

Jim Brock Photography’s image of Jon Cleary from the 2012 New Orleans Jazz and Heritage Festival is featured in this week’s Gambit, New Orleans largest alternative weekly publication. Check out the digital edition here.

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Mar 14

by Jim Brock in Reviews 0 comments tags: Americana, Bill Frisell, Charles Lloyd, concert photography, Eye on the Music, Ghosts of Highway 20, Greg Leisz, Jim Brock Photography, Lucinda Williams, music photography, roots music, Royce Hall, Sean Rowe, UCLA CAP

Lucinda Williams, Royce Hall

March 4, 2016 It seems many established acts are getting more artistically liberated in the deep end of their careers, or is that just me? Whether it’s an unusual union (David Crosby and Snarky Puppy come to mind in the moment), reaching way back into an early catalog, or running through entire albums from first groove to last, there’s a more untethered attitude towards a body of work than I ever recall. With a thriving concert renaissance, such deep track experiences and artistic reach have become especially rewarding for fans and bands alike (despite Billy Corgan’s distaste). Less constrained by sales and image, these can indeed be very satisfying times. Lucinda Williams knows this territory well. Long before Bruce rolled out The River from coast-to-coast, Williams played a 5-night stand at the El Rey Theatre running through her first five albums in their entirety in 2007. Yet, in the early days of her career, albums and tours had the frequency of a Terence Malick flick. Then “Car Wheels on a Gravel Road” reached the masses and deservedly expanded her audience who mostly knew her tunes, but not the writer. A mighty vein was struck and an outpouring of excellent albums […]

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Mar 05

by Jim Brock in Reviews 0 comments tags: bluegrass, concert photography, Della Mae, Eye on the Music, Infamous Stringdusters, jamgrass, Jim Brock Photography, music photography, Nicki Bluhm, The Troubadour

The Infamous Stringdusters and Della Mae, The Troubadour

February 25, 2016 Some serious stringing occurred at The Troubadour last week courtesy of another nice Bluegrass Situation Presents double bill of the globe trotting Della Mae first on before the Infamous Stringdusters. The women of Della Mae’s resumes are top flight and they pulled no punches during their hourish set. Oh, and did I mention they know how to squeeze every bit of languor from “Love in Vain”? Celia Woodsmith prepped the crowd for the “face melting” Infamous Stringdusters and she wasn’t far off. The floor was packed for these guys and their devotion among the growing jamgrass legion was apparent. Not a lot of pickers could make “In God’s Country” sound straight out Music City. Fiddler Jeremy Garrett fueled the ‘dusters throughout their headlining set, who were joined by Della Mae’s Woodsmith and the Bay Area’s Nicki Bluhm for the last few tunes at the world famous Troub. In case their jamgrass cred left any doubt, guitarist Andy Falco and dobro player Andy Hall, as well as Nicki Bluhm, joined Phil Lesh and Friends at the Vegas Brooklyn Bowl later in the week for what I heard was a pretty fine […]

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Feb 14

by Jim Brock in Reviews 0 comments tags: CAP UCLA, concert photography, Eye on the Music, Henry Butler, Hot 9, Jim Brock Photography, music photography, New Orleans music, Red Baraat, Royce Hall, Steven Bernstein

Mardi Gras Bhangra with Red Baraat and Butler, Bernstein & the Hot 9, Royce Hall

February 9, 2016 Fat Tuesday in Los Angeles is hard to discern from any other day of the year in this sun spoilt metropolis. Once you get past the pre-packaged king cakes in Whole Foods, there are limited options to channel any decent Mardi Gras energy. Fortunately, the Center for the Art of Performance (CAP) at UCLA, who never fail to pull a season together of the worldly and eclectic, really hit on something when renowned New Orleans pianist, Henry Butler (with Butler, Bernstein & the Hot 9) travelled west at the same time Brooklyn dhol’n’brassers Red Baraat kicked off a coast-to-coast tour. This Mardi Gras Bhangra bill was as close to real deal as we’ll get in this town, and a convergence of river deltas like no other. Words tend to fall short when describing Red Baraat. This speaks less about my limited vocabulary and more about music that bends and infuses the seemingly disparate global elements of wedding music from Northern India (“baraat” is Hindi for a groom’s wedding procession) and the fat horns and funk of New Orleans, and then makes such utterly perfect sense when you experience it. Suffice to say it is a mashup of […]

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KAABOO 2016

Newport Jazz Festival 2016

Reflections and Musings of a Jazz Fest Photographer – 2016 Edition

Gambit Weekly Second Weekend Jazz Fest Edition Cover

Lucinda Williams, Royce Hall

The Infamous Stringdusters and Della Mae, The Troubadour

Mardi Gras Bhangra with Red Baraat and Butler, Bernstein & the Hot 9, Royce Hall

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