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May 23
by Jim Brock in Reviews 1 comments tags: Abner Ramirez, accordion, Acura Stage, Alabama Shakes, Alejandro Escovedo, Alex McMurray, Allen Toussaint, Alynda Lee Seggara, Amanda Sudano, Americana, Anders Beck, Anders Osborne, Arcade Fire, Astral Project, Avett Brother, B-3, Baritone Bliss, baritone sax, Bernard Allison, Big Chief Monk Boudreaux, Big Freedia, Big Sam Williams, Bill Nershi, Blodie's, Blues Tent, Bombino, Bonerama, Boz Scaggs, Brittany Howard, Casandra Faulconer, Chaka Khan, Chick Corea, Christina Aguillera, Chuck D, Cody Dickinson, concert photography, Congo Square, Cowboy Mouth, Creedence Clearwater, Dan Oestreicher, David Shaw, Dirty Dozen Brass Band, Dumpstaphunk, E Street, Ed Williams, Eric Clapton, ES-335, Eye on the Music, Ezra Koenig, Fender guitar, Flavor Fav, Fred LeBlanc, Gal Holiday, Galactic, George Porter, Glen David Andrews, Greensky Bluegrass, Gregory Davis, Gregory Porter, Henry Butler, Honey Island Swamp Band, Hooray for the Riff Raff, Infamous Stringdusters, Irvin Mayfield, Ivan Neville, James Si, Jason Isbell, Jazz Fest, Jazz Tent, Jimmy Buffet, Joe Krown, John Boutte, John Fogerty, John Fohl, John Hiatt, John Thomas Griffith, Johnny Sansone, Johnny Vidacovich, JOHNNYSWIM, Jonathon Boogie Long, Keb Mo, Lakland, Laura Mvula, Led Zeppelin, Liam Tyson, Lil' Nathan, Little Freddie King, Lonnie Smith, Luther Dickinson, Lyle Lovett, Maggie Koerner, Marcia Ball, music photography, New Orleans Jazz and Heritage Festival, New Orleans music, New Orleans Suspects, Nikki Glaspie, North Mississippi Allstars, Patry, Paul Languedoc, pedal steel, Pharoah Sanders, Phish, Public Enemy, Quint Davis, Raul Malo, Reggie Scanlon, riti, Robert Earl Keen, Robert Plant, rock photography, Rodriguez, Roger Lewis, Roosevelt Collier, Runnin' Pardners, Russ Broussard, Russell Batiste, Samsung Galaxy Stage, Santana, Sensational Space Shifters, slide guitar, Soul Rebels, Southeastern, Springsteen, Stanton Moore, Stratocaster, String Cheese Incident, Sugarman, Tab Benoit, Terence Blanchard, The Mavericks, The Meters, The Nevilles, The Radiators, The Revivalists, The Wailers, Threadhead Records, Tom Morello, Tony Hall, Trey Anastasio, trombone, Trombone Shorty, Vampire Weekend, Voice of the Wetlands, Walter Wolfman Washington, Wayne Toups, Win Butler, World Boogie, Zachary Richard, zydeco, Zyedcajun

Reflections of a Wandering Jazz Fest Photographer

Years come and go. Jazz Fests do not. They endure. Each seemingly better than the last. Each its own indelible stamp on the soul. Jazz Fest 45 had everything going for it and, man, it did not disappoint. From the time the lineup dropped in January and headliner after headliner brought smiles, to the days of Fest without a drop of rain and temps in the 70s and 80s, to the ensuing butter and crawfish withdrawl, Fest 45 delivered. The big moments were big – Springsteen and New Orleans deepening their love affair, an epic crowd for Clapton, Phish’s return after 18 years and Robert Plant flashing some legend. But the small moments were big, too. Kindness spread generously throughout the Fair Grounds for seven days and musicians who were on stage one day would be roaming around the next. Locals Johnny Sansone, Irvin Mayfield and James Singleton were regularly spotted throughout the Fest. Photographer and fan frequently collide within me. Call it an occupational hazard. Stay on task, cover ground, hit my stages. But sometimes, you gotta just put the gear down and take it all in. I actually managed to do that (a little). I’ve come to the […]
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Feb 25
by Jim Brock in Reviews 0 comments tags: Borgani sax, Center of Artistic Performance, concert photography, Esperanza Spalding, Eye on the Music, Jack DeJohnette, jazz photography, Jim Brock Photography, Joe Lovano, music photography, Royce Hall, Sonor, Spring Quartet

Spring Quartet, Royce Hall

February 22, 2014 The stunning collaboration of drummer Jack DeJohnette, saxophonist Joe Lovano, bassist Esperanza Spalding and pianist Leo Genovese refers to itself as “The Spring Quartet”, and the musical possibilities suggested by this combo were very present at Royce Hall this Saturday.  DeJohnette is the quartet’s “elder” and shows no signs of slowing down after his recent 70th birthday tour. His percussive mastery and approach are simply unmatched. Spalding is a melodic and elastic player who has crossed over to wide critical and popular acclaim through her Radio and Chamber Music Society projects, and Genovese her accompanist for these journeys. Joe Lovano’s hearty post-bop expressions can be found on dozens of his own Blue Note recordings over the past 30 years as a leader, and in support of like minded musicians unafraid of the fringes such as John Abercrombie and Paul Motian to name a few.       Playing to a capacity crowd in the stately confines of Royce, the Quartet’s 100+ minute, nine tune set covered material from all, drawing from the compositional voice and diversity of each player. The opener, Lovano’s “Spring Day”, came out jabbing with Lovano’s tenor leading the way and meshing intuitively with […]
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Dec 08
by Jim Brock in Reviews 0 comments tags: Bernard Fowler, Blondie Chaplin, Brett Tuggle, concert photography, Eye on the Music, Jim Brock Photography, King of the Sidemen, Lukas Nelson, Minday Abair, Phil Jones, Rick Rosas, rock photography, Rolling Stones, The Joint, Waddy Wachtel

Waddy Wachtel Band, The Joint

November 16, 2013   Some of rock’s most indelible moments are the work of sidemen and session players, most of whom stay in the shadows, some of whom go on to achieve fame of their own. Over the past 14 years at The Joint, you could wander in from a unremarkable stretch of Pico Boulevard on the occasional Monday night and catch some of these unsung heroes, joined by rock royalty – Keith Richards, Robert Plant, Roger Daltrey, Eric Burdon or Joe Walsh, to name a few. What draws them is the opportunity to sit in with a house band made up of some of the best session musicians and touring sidemen around. And for $10/head, you know they ain’t in it for the money. The band, headed up by revered axeman and producer Waddy Wachtel, includes longtime Rolling Stones backup vocalist Bernard Fowler, ex-Tom Petty drummer Phil Jones, Fleetwood Mac, David Lee Roth and Coverdale-Page keyboardist, guitarist and vocalist Brett Tuggle, and Neil Young and Joe Walsh alum Rick “the bass player” Rosas. Now, I’ve caught my share of these gigs over the years (without the special guests) and never failed to have a blast. Wachtel’s credits are a […]
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Oct 31
by Jim Brock in Reviews 0 comments tags: Anders Osborne, concert photography, El Rey Theatre, Eye on the Music, funk, jam bands, Jim Brock Photography, Karl Denson, music photography, New Orleans music, Tiny Universe

Anders Osborne + Karl Denson’s Tiny Universe, El Rey Theatre

October 24, 2013 Anders Osborne went deep and Karl Denson’s Tiny Universe embraced their inner Ray Charles for a wholly satisfying double bill at the El Rey Theatre last Thursday. The two combined for 3 ½ hours of wall-to-wall intensity, stunning jams and a full on soul dance party.       Osborne’s LA appearances are a rarity, made more of an event in the larger El Rey space and two act offering. Osborne is touring on his latest release, “Peace”, and several tracks were featured including the Cortez-ian title track that opens the album. (I couldn’t help but think that Neil isn’t the only one waging heavy “Peace” throughout the set. The Young influences are more than just the material, but down to the stage posture – lead foot stomping, head and shoulders hunched, scraping every note to the bone). “Windows” flew, “Five Bullets” attacked and “Sarah Anne” took the band into the light. True to form, Osborne opened with the thunderous squonk of “Black Tar” (from 2012’s “Black Eyed Galaxy”), but also went way, way back for “Burning on the Inside” (from 1995’s “Which Way to Here”) that has been a staple in his sets for some time. […]
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Oct 26
by Jim Brock in Reviews 1 comments tags: bluegrass, Bruce Hornsby, Center of Artistic Performance, concert photography, Eye on the Music, Jim Brock Photography, Kentucky Thunder, music photography, Ricky Skaggs, Royce Hall, UCLA Performing Arts

Ricky Skaggs & Bruce Hornsby with Kentucky Thunder, Royce Hall

October 18, 2013 Bluegrass is a lot of things. The high lonesome. Bill Monroe. Furious pickin’. Lots of strings. Acoustic instrumentation.  What it traditionally isn’t is plugged in, horns, a drum kit, and rarely, a piano front and center with all those frets. The Ricky Skaggs & Kentucky Thunder with Bruce Hornsby performance at Royce Hall took the latter to heart and showed that keys and strings can indeed be natural companions. Touring on the just released live “Cluck Ol’ Hen” recorded during a previous tour when the two first got together, the show oftentimes felt like a primer in Monroe and all things old school. Heck, just listening to Ricky Skaggs and Bruce Hornsby reflect on their collective musical lives was its own show. Skaggs is a master not just of the instrument(s), but as a guardian of the music itself. Pretty much what you’d expect from a guy who first shared the stage with Bill Monroe as a tyke.         My bluegrass knowledge is not deep, but my appreciation is and runs through the likes of Del McCoury, Tony Rice, Norman Blake and many others. I am, however, an unabashed Hornsby fan and the pairing […]
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Oct 12
by Jim Brock in Reviews 0 comments tags: Angel City Jazz, concert photography, Craig Taborn, Dave Holland, ECM, Eye on the Music, jazz fusion, jazz photography, Jim Brock Photography, John Scofield, Kevin Eubanks, music photography, Royce Hall, Uberjam

John Scofield Uberjam + Dave Holland Prism Quartet, Royce Hall

October 5, 2013 The 6th annual Angel City Jazz Festival is as unique as the city that bears its name. Multi-venue, multi-media and highly eclectic, predictable only for its unpredictablilty. Not necessarily qualities you would attach to this tentpole town. This year mixed film with music, integrating episodes of the “Jazz in the Present Tense” project with live performances under the theme of “Metamorphosis: Artists on the Cutting Edge of Change”. John Scofield’s Uberjam Band and Dave Holland’s Prism Quartet are a mighty pairing that land in the event’s sweet spot. While some could suggest the Royce Hall double bill was more in than out, given Angel City’s edgy proclamation, they fall right in between in my book. Both are established and prolific players/composers bonded by different stints with Miles Davis. Holland’s years included In a Silent Way and the transformatively noisy Bitches Brew, while Scofield came later during the early to mid-‘80s. Davis’ electrified shift in many ways was the jazz equivalent to Dylan’s groundbreaking Newport Folk appearance in 1965 – the landscape was never the same. In Davis’ case, jazz fusion was spawned and the illustrious alum have shaped contemporary jazz ever since, with both Holland and Scofield […]
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Sep 22
by Jim Brock in Reviews 0 comments tags: Absolute Monster Gentlemen, Alex McMurray, Antoine Diel, Arsene DeLay, concert photography, Derwin Perkins, Eye on the Music, Jim Brock Photography, Jon Cleary, Matt Perrine, music photography, New Orleans music, Paul Sanchez, Rolling Road Show, sousaphone, The Mint, Tin Men, Vaud & the Villains, Washboard Chaz

Jon Cleary & The Absolute Monster Gentlemen, The Tin Men and Paul Sanchez & The Rolling Road Show, The Mint

September 14, 2013 Saturday’s NOLA triple threat at The Mint was as close to Frenchmen Street as you can get on Pico Boulevard (in fact, last time Sanchez and company played the room in 2010, their gig was billed as the “Return of Frenchmen Street West”). But this evening was as much Napoleon or Carrolton Avenue as Frenchmen Street, with Jon Cleary & the Absolute Monster Gentlemen’s satisfyingly feisty 90 minute performance (and long overdue LA appearance) starting the night before the Tin Men and the Road Show took over for a later show. Cleary’s set wasted no time, diving right into “Fools Game” (from his 1999 release, “Moonburn”) and “Just Kissed My Baby”  (from the Cleary & AMG, self-titled 2002 release). The former a propulsive soul blues romp with enough barroom piano rollick and get in your bones undertow to make every beer go down like an Abita. The latter a showcase for the best of the band, with its sticky Cornell Williams bass break and Cleary’s clavvy keys. Naturally, Professor Longhair’s “Go to the Mardi Gras” was in the mix (featured on Cleary’s 2008, “Mo Hippa Live” release) and Cleary and the AMG had ample opportunity to display […]
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