Greg Allman Band, Royce Hall

January 11, 2013 Gregg Allman’s life is a road well travelled for sure. As much thriver as survivor, his blues have the resume to match (40+ years on the road and hard knocks you wouldn’t wish on anyone). Last year’s T-Bone Burnett produced “Low Country Blues” is a seminal record that embodies the sum of Allman’s musical lives in roadhouse ramble, swampy Muscle Shoals drenched horns and his all the way at the bottom looking up vocals. You can feel the miles and hear the fight breaking out in the back. Like many of his musical peers, Allman has gone open kimono on his life and times with the autobiography “My Cross to Bear” released last year, continuing a trend of influential musicians (Keith Richards, Neil Young, Pete Townsend, most notably) sharing internal reflections, creative insights and the occasionally rowdy it could only happen to this rock star story. Sure, there are more salacious aspects one would expect in these memoirs (and, yes, Richards “Life” is hard to put down), but more powerfully, there is honesty and a peak behind the curtain from guys with less sand in the hourglass and their eyes on the clock. In Allman’s case (as […]

Dragon Smoke, The Mint

December 12, 2012 Certain celestial alignments skip decades, if not lifetimes, or at a minimum, involve covering great distances at greater expense. Think solar eclipses, Comet Hale-Bopp or if you get around, the aurora. Even then, there is the unexpected cloud cover that can scotch the most anticipated and well-planned events. While the intersection of talent that is Dragon Smoke may not operate on a celestial plane, the fact the band exists, let alone has endured for a decade, is pretty damn impressive. Comprised of the Galactic’s drummer Stanton Moore and bassist Robert Mercurio, guitarist/songwriter Eric Lindell and funk master Ivan Neville on keys and vocals, the band is a potential one-off that never offed. The lineage speaks propulsive, jammy funk meets soulful vocals as one would expect with the Galactic rhythm section, stinging Lindell leads, swampy Neville keys and alternating Neville/Lindell voices. They deliver that and then some.   The demanding tour schedules of Galactic, Dumpstaphunk and Lindell, coupled with additional musical pursuits, make the right place/right time convergence of the four principals slightly more frequent than a Cubs post-season appearance, or at least cause for celebration. Yet, the band has been a fixture for 10+ years on the […]

Remembering Austin Peralta

November 25, 2012 Hearing the news of Austin Peralta’s passing, at just 22, is beyond incomprehensible. At 13, Peralta had already established himself as a jazz pianist bearing the burden of comparisons to giants like McCoy Tyner. At 15, he was playing alongside giants like Ron Carter. This kid, from West Los Angeles, this progeny of a surfer-skate legacy, was off the charts fucking unbelievable. I first heard him at my cousin’s urging in 2008 (he went to high school with his daughter). I couldn’t believe what I was listening to. His cover of Tyner’s “Passion Dance” didn’t just honor the composition, it elevated it. Like that was even possible. I saw Peralta live only once. Playing to a room of 30 or so mostly friends and family at the old Jazz Bakery on a weeknight. That the world did not know this guy was beyond me. He had been a fixture in town, playing fairly often at the Blue Whale and other rooms. I did not know Austin or his family personally, but knew friends and players in his orbit and I’m probably older than the sum of most of his early trios. That he even existed in this […]

Grace Potter and the Nocturnals, Wiltern Theater

November 2, 2012 Grace Potter and the Nocturnals played to a packed Wiltern in the midst of her Fall “all request” tour. The generous set was in the audience’s sweet spot with many sing-alongs that had GP working the front of the pit to connect with as many fans as she could. Potter and the Nocturnals are a force of nature and few artists can pivot as effortlessly between stripped down ballads and blustery blues jams. Extended excursions on rugged hooks underscored why Potter and the band are such great draws in the jam band scene and the festival circuit. Potter herself has a totally magnetic stage presence to go with killer chops, and when she takes center stage playing a Flying V, it’s impossible to look away.       The band had an electric rapport, with guitarists Benny Yurco and Scott Tournet trading and sharing solos like punches – punctuated by Tournet’s gritty dustbowl Telecaster tone. With “2:22” from 2006’s Nothing But Water, Potter prowled her way along the floor to the top of the mic stand and let loose from the top of her pipes – a bluesy chanteuse in full roar. When Potter proclaimed “tonight you’re sleeping next to me” in Stop the Bus (from […]

Voodoo Experience 2012

October 26-28, 2012 As an unabashed Jazzfest vet, I approached my first Voodoo with excitement and a hint of fear. The mix of rap, EDM, and the often indefinable, sprinkled with the best of New Orleans contemporary and traditional, on a bed of arena headliners, eclectic rockers, funk and blues artists, is uniquely Voodoo.  Look, I’m an old school guy who knows enough to be dangerous to himself. Not a banger, a mosher or a surfer. I know Skrillex drops bombs that turn your bones to jelly and have never been to a Metallica show in my life, but I approached Voodoo with anticipation and an open mind. After all, there was Mr. Neil Young touring with Crazy Horse for the first time in eight years. Gary Clark, Jr.’s, blues without boundaries and the omni-bluesusical Jack White closing it out. OK, so much for the obvious. How far would I go to connect with my inner Voodoo? Would I make it to Borgore (an Israeli DJ formerly of a death metal band), the total bizzaro of South African rappers Die Antwoord or Electric Daisy Carnival main stager Nervo (all three made “Rolling Stone’s 10 Must See Acts at Voodoo Fest”)? […]

Red Baraat, The Mint

October 4, 2012 Since I last caught up with Red Baraat in February, the self described “Brooklyn dhol’n’brass” by way of a second line, has been to the White House, played Bonnaroo and High Sierra, performed at the TED conference, toured Europe and the UK, and returned to Hardly Strictly Bluegrass. This is a busy group of guys with over 100 dates this year. One listen and the attraction of the east meets west meets stomp on your face swing and brass is obvious. No surprise they get around because there is nothing that comes close to what they do and their musical imprint is rather indelible. I’m not saying that Red Baraat will bring us world peace, but its totally infectious sound and ‘tude, may just get us a little closer.   I extolled the band’s virtues when they played the Mint earlier this year and in my limited vocabulary, attempted to describe my take to the uninitiated. I’m happy to be coming back so soon. The fundamentals bear repeating, though. Traditional Hindi percussion led by singer/dhol player Sunny Jain backed by ridiculous brass including sousaphone, trumpet, bass trumpet, soprano sax and trombone, as well as a trap kit […]

Bombino, The Mint

September 18, 2012 Tuareg guitarist Omara “Bombino” Moctar was born in a nomadic encampment in Niger in 1980. Some 26 years later he was playing alongside Keith Richards and Charlie Watts in California. The here to the there and now is an amazing life of cultural and political conflict, creativity and inspiration that speaks to the global language at the heart of world music today.   As a younger guitarist, Bombino would emulate Hendrix and Knopfler licks from watching videos and his path as a musician was carved early, much to the consternation of his father. In 2009, film maker Ron Wyman, who knew Bombino’s music, found Bombino living in exile and brought him to the States to record what became the 2010 release “Agadez”. A truly amazing journey that has had Bombino appearing at major festivals, including this year’s New Orleans Jazz and Heritage Festival, where he absolutely tore up the Blues Tent (a set I unfortunately missed). A new project is on the way and he has played/is playing dates in California and the Southwest before starting a European tour later in the Fall.   His Tuesday night performance at The Mint transformed the seen it all history […]

The Revivalists, The Mint

September, 11, 2012 Jazz Fest’s surprise moments can happen any time. One of mine came this year when The Revivalists kicked off the Fest from the Gentilly stage before noon on the opening Friday. While the band has played the Fest the past few years, I was in the dark until that set. Familiar to many native Orleaneans and carving a broader audience through touring in support of acts such as Dr. John, Trombone Shorty and Galactic (and in the next few weeks, Gov’t. Mule), their Fest set was passionate, captivating, and raised the bar early for one of the better Fests ever. Led by guitarist/vocalist David Shaw, the band puts Ed Williams blazing pedal steel right up front with horns, keys and a committed rhythm section to deliver what the esteemed David Fricke dubbed “a Crescent City-rhythm spin on jam-band jubilee”.  To my ear, this is soul-jam influenced rock from New Orleans, with the New Orleans influences taking more of a back seat to driving and occasionally chimey guitars, Shaw’s growl and an undeniable we came to play stage presence (Shaw’s off stage forays and Williams overtopping his pedal steel were sweet spot material for this photographer).   The […]

Eye on the Music Review posted to Terence Blanchard web site

Eye on the Music and Jim Brock Photography coverage of Terence Blanchard’s latest Los Angeles dates was picked up by Joshua Johnson of Burgess Management and posted to Terence’s web site. The review and images speak to a stellar set.

Terence Blanchard Quintet, Catalina Bar & Grill

August 17, 2012 There are few musicians I can point to more visually evocative than Terence Blanchard (and I’m not just talking about his 20+ year filmography). Blanchard paints fully expressed textures with sound, creating jazz that is emotive, vibrant and at times, startlingly beautiful. I literally see what he’s playing. Then again, I may just have a vivid imagination.   Like many, I was first introduced to Blanchard’s work through his Spike Lee scores and his reputation as yet another anointed young lion of the horn. As my relationship with New Orleans music grew to near obsession, so did my affection for Blanchard and I never miss an opportunity to catch him when I can. His connection with his hometown courses through his work. Not just his score to “When the Levees Broke”, or his Grammy winning “A Tale of God’s Will (Requiem for Katrina)”, but in absorbing the richness, emotion and soul of the place often referred to as the birthplace of jazz. Blanchard is not a formal traditionalist that dwells in the past. He makes new music out of old roots. While New Orleans is in his bones and always will be, it is not expressed in […]