Jim Brock Photography | Eye on the Music

Nov 12

by Jim Brock in Reviews 0 comments tags: Anders Osborne, Big Chief Monk Boudreaux, blues, blues music, blues photography, Blunderbuss, Borgore, C.C. Adcock, cajun music, City Park, Claudio Sanchez, Coheed and Cambria, concert photography, Crazy Horse, Dave Stewart, David Egan, Delta, Dubstep, EDM, Edward "Kidd" Jordan, Eurythmics, Eye on the Music, festival, Festival Coverage, Feufollet, Gary Clark Jr., George Porter, George Porter Jr., Jack White, Jazzfest, Jim Brock Photography, Johnny Sansone, Johnny Vidacovich, Kid Koala, Le Carnival Stage, Le Plur Stage, Le Ritual Stage, Lil Band O' Gold, live music, Louisiana, Marcia Ball, mezzic, Mike Dillon, music festival, music photography, MyNameIsJohnMichael, Neil Young, New Orleans Bounce, New Orleans brass, New Orleans funk, New Orleans music, Preservation Hall Jazz Band, Preservation Hall Stage, Psychedlic Pill, rock photography, Runnin’, Silversun Pickups, Sister Sparrow and The Dirty Birds, Skerik, Skrillex, Soul Rebels, Stratocaster, Telecaster, The Avett Brothers, Thomas Dolby, Toots and The Maytals, traditional jazz, Voodoo Experience, Warren Storm, world music, WWOZ Stage, zydeco music

Voodoo Experience 2012

October 26-28, 2012 As an unabashed Jazzfest vet, I approached my first Voodoo with excitement and a hint of fear. The mix of rap, EDM, and the often indefinable, sprinkled with the best of New Orleans contemporary and traditional, on a bed of arena headliners, eclectic rockers, funk and blues artists, is uniquely Voodoo. Look, I’m an old school guy who knows enough to be dangerous to himself. Not a banger, a mosher or a surfer. I know Skrillex drops bombs that turn your bones to jelly and have never been to a Metallica show in my life, but I approached Voodoo with anticipation and an open mind. After all, there was Mr. Neil Young touring with Crazy Horse for the first time in eight years. Gary Clark, Jr.’s, blues without boundaries and the omni-bluesusical Jack White closing it out. OK, so much for the obvious. How far would I go to connect with my inner Voodoo? Would I make it to Borgore (an Israeli DJ formerly of a death metal band), the total bizzaro of South African rappers Die Antwoord or Electric Daisy Carnival main stager Nervo (all three made “Rolling Stone’s 10 Must See Acts at Voodoo Fest”)? […]

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Oct 07

by Jim Brock in Reviews 0 comments tags: bhangra, concert photography, dhol, dhol'n'brass, Eye on the Music, Jim Brock Photography, live music, Red Baraat, Sunny Jain, The Mint, world music

Red Baraat, The Mint

October 4, 2012 Since I last caught up with Red Baraat in February, the self described “Brooklyn dhol’n’brass” by way of a second line, has been to the White House, played Bonnaroo and High Sierra, performed at the TED conference, toured Europe and the UK, and returned to Hardly Strictly Bluegrass. This is a busy group of guys with over 100 dates this year. One listen and the attraction of the east meets west meets stomp on your face swing and brass is obvious. No surprise they get around because there is nothing that comes close to what they do and their musical imprint is rather indelible. I’m not saying that Red Baraat will bring us world peace, but its totally infectious sound and ‘tude, may just get us a little closer. I extolled the band’s virtues when they played the Mint earlier this year and in my limited vocabulary, attempted to describe my take to the uninitiated. I’m happy to be coming back so soon. The fundamentals bear repeating, though. Traditional Hindi percussion led by singer/dhol player Sunny Jain backed by ridiculous brass including sousaphone, trumpet, bass trumpet, soprano sax and trombone, as well as a trap kit […]

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Sep 21

by Jim Brock in Reviews 0 comments tags: Bombino, concert photography, Eye on the Music, Jim Brock Photography, live music, music photography, The Mint, Tuareg, world music

Bombino, The Mint

September 18, 2012 Tuareg guitarist Omara “Bombino” Moctar was born in a nomadic encampment in Niger in 1980. Some 26 years later he was playing alongside Keith Richards and Charlie Watts in California. The here to the there and now is an amazing life of cultural and political conflict, creativity and inspiration that speaks to the global language at the heart of world music today. As a younger guitarist, Bombino would emulate Hendrix and Knopfler licks from watching videos and his path as a musician was carved early, much to the consternation of his father. In 2009, film maker Ron Wyman, who knew Bombino’s music, found Bombino living in exile and brought him to the States to record what became the 2010 release “Agadez”. A truly amazing journey that has had Bombino appearing at major festivals, including this year’s New Orleans Jazz and Heritage Festival, where he absolutely tore up the Blues Tent (a set I unfortunately missed). A new project is on the way and he has played/is playing dates in California and the Southwest before starting a European tour later in the Fall. His Tuesday night performance at The Mint transformed the seen it all history […]

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The Revivalists, The Mint

September, 11, 2012 Jazz Fest’s surprise moments can happen any time. One of mine came this year when The Revivalists kicked off the Fest from the Gentilly stage before noon on the opening Friday. While the band has played the Fest the past few years, I was in the dark until that set. Familiar to many native Orleaneans and carving a broader audience through touring in support of acts such as Dr. John, Trombone Shorty and Galactic (and in the next few weeks, Gov’t. Mule), their Fest set was passionate, captivating, and raised the bar early for one of the better Fests ever. Led by guitarist/vocalist David Shaw, the band puts Ed Williams blazing pedal steel right up front with horns, keys and a committed rhythm section to deliver what the esteemed David Fricke dubbed “a Crescent City-rhythm spin on jam-band jubilee”. To my ear, this is soul-jam influenced rock from New Orleans, with the New Orleans influences taking more of a back seat to driving and occasionally chimey guitars, Shaw’s growl and an undeniable we came to play stage presence (Shaw’s off stage forays and Williams overtopping his pedal steel were sweet spot material for this photographer). The […]

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Sep 05

by Jim Brock in Latest News 0 comments tags: Burgess Management, Catalina Bar & Grill, concert photography, Eye on the Music, jazz photography, Jim Brock Photography, live music, New Orleans music, Terence Blanchard, trumpet

Eye on the Music Review posted to Terence Blanchard web site

Eye on the Music and Jim Brock Photography coverage of Terence Blanchard’s latest Los Angeles dates was picked up by Joshua Johnson of Burgess Management and posted to Terence’s web site. The review and images speak to a stellar set.

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Aug 23

by Jim Brock in Reviews 0 comments tags: Brice Winston, Catalina Bar & Grill, concert photography, Eye on the Music, Fabian Almazan, jazz photography, Jim Brock Photography, Joshua Crumbly, Justin Brown, live music, New Orleans music, Terence Blanchard, trumpet

Terence Blanchard Quintet, Catalina Bar & Grill

August 17, 2012 There are few musicians I can point to more visually evocative than Terence Blanchard (and I’m not just talking about his 20+ year filmography). Blanchard paints fully expressed textures with sound, creating jazz that is emotive, vibrant and at times, startlingly beautiful. I literally see what he’s playing. Then again, I may just have a vivid imagination. Like many, I was first introduced to Blanchard’s work through his Spike Lee scores and his reputation as yet another anointed young lion of the horn. As my relationship with New Orleans music grew to near obsession, so did my affection for Blanchard and I never miss an opportunity to catch him when I can. His connection with his hometown courses through his work. Not just his score to “When the Levees Broke”, or his Grammy winning “A Tale of God’s Will (Requiem for Katrina)”, but in absorbing the richness, emotion and soul of the place often referred to as the birthplace of jazz. Blanchard is not a formal traditionalist that dwells in the past. He makes new music out of old roots. While New Orleans is in his bones and always will be, it is not expressed in […]

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Honey Island Swamp Band Returns to The Mint

August 14, 2012 It’s apropos that the Honey Island Swamp Band would return for a summer gig at The Mint following an appearance at Outside Lands the prior weekend. After all, the Bay Area figures so prominently in this NOLA band’s origin story. Stranded by Katrina. Crescent City players a long way from home. Meet up on the west coast. Bond big time. Keep their chops strong. Throw a few songs together. Land a regular gig in the heart of town. Cut their debut in the one and only Record Plant in Sausalito. It could only happen….where? This is their third trip to The Mint in 14 months. That’s not a bad thing. Whether it’s covering their LA dates, staking their ground from the big stage at the Fest or enjoying their pop up everywhere Fest club dates, I have been a fan since first catching them at Jazzfest in 2008. The Bay Area meets bayou influences are everywhere in the HISB sound. Solid songwriting, tight arrangements and enough room to stretch, their self-coined “bayou americana” is rootsy strings first stuff. Swamp driven, but not dripping, and often sprouting ensemble fed jams from tasty hooks, HISB sets include staples […]

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Voodoo Experience 2012

Red Baraat, The Mint

Bombino, The Mint

The Revivalists, The Mint

Eye on the Music Review posted to Terence Blanchard web site

Terence Blanchard Quintet, Catalina Bar & Grill

Honey Island Swamp Band Returns to The Mint

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