September 6, 2018 Birthed of the 60s, the Haight, ingestibles and another time, before jam bands became a thing, there was the Jefferson Airplane. A band I was too young to see live, but burrowed into me, nonetheless. I soared on Grace Slick’s vocals and got interplanetary with Paul Kantner. But guitarist Jorma Kaukonen and bassist Jack Casady were the instrumental beating heart of the band. Casady with that tree trunk tone and Kaukonen’s signature fretwork and reedy vocals. The Airplane is generations gone, and (good riddance), all the clunky spin offs that followed are long past, too. Space captain Kantner left us a few years back and Slick left music in the late 90s (though she remains a very active visual artist). Fortunately, Hot Tuna, the Casady-Kaukonen psychedelically rooted blues trio is rolling into year 50, with an electric tour that stopped at the El Rey Theatre the Thursday after Labor Day. Like other recent tours, multi-dimensional guitarist Steve Kimock joined the Tuna for a good part of both sets (the K-men run deep, Kimock a teacher at Kaukonen’s Fur Peace Ranch Guitar Camp, which sounds like a pretty special place to hang, if you got the […]
The Newport Jazz Festival has its share of discoveries. This year, mine was not on any the Fort stages (yet), but you can bet that won’t last long. I heard Joshua Hill sit in with trumpeter Doug Woolverton last Monday at The Fifth Element on Broadway, and my ears stood on end. That he’s 19, and only been at it for a few years is more than a little wow. The Newport Daily News piece has a great profile of Josh and features a 1/4 page above the fold photo from a quick shoot I did with him the week before the festival. Joshua Hill. Remember the name. Some other images from that shoot below.
This is Dead & Co.’s strongest tour yet, and personally combined the band that impacted my life the most with the temple I have been attending since I was 8 – Dodger Stadium. Opening with a Playing in the Band that pretty much dropped the needle in the middle of the record and with Mayer, Oteil and Chimenti reshaping and pushing fresh moments throughout a joyous, hot night, Jack Straw, Cumberland, Scarlet>Fire, Eyes and a Brokedown, Not Fade away encore made for a night to long remember. Jim Brock Photography’s photo recap for LiveMusicBlog.com PHOTO RECAP: Dead & Company @ Dodger Stadium, Los Angeles, CA 7.7.18
Working with owners Chris and Laura McMillan, a select group of Jim Brock Photography open edition prints will be displayed at Revel Cafe & Bar in Mid-City New Orleans, beginning Sunday November 5, 2017. If you are in town, drop by Revel next Sunday between 6:30 and 8:30 for some nibbles and beverages and a chance to catch up when it’s not the craziness of Jazz Fest. To those who haven’t checked out Revel, this gastro lounge founded by fourth generation bartender McMillan, with food by chef Jose Ayala, is a personal favorite go-to along Carrollton and I am really tickled that Chris and Laura McMillan have kindly offered Revel to display my work. As a photographer based far from New Orleans, I can’t keep my lens away from its musical heartbeat. I know I am a visitor, an interloper of sorts, deeply drawn by what I hear and what I see. It is especially meaningful that these prints have a home in New Orleans and I am proud and grateful they do.
Jim Brock Photography is proud to contribute to the Newport Festival tradition with this splash image for next year’s Jazz Festival, the first under incoming Artistic Director Christian McBride.. Early flex tickets available now.
Jim Brock Photography’s image of Jon Cleary from the 2012 New Orleans Jazz and Heritage Festival is featured in this week’s Gambit, New Orleans largest alternative weekly publication. Check out the digital edition here.
Glen David Andrews Southland visit extended beyond his Friday gig at The Mint to surprise legendary producer Ken Ehrlich with his own second line as part of his Hollywood Walk of Fame ceremony. The upcoming Grammys on February 8th will be Ehrlich’s 35th production. His New Orleans ties are deep, and his bond with Jazz Fest captain Quint Davis, even deeper. Keith Spera of NOLA.com provides excellent coverage of the event, accompanied by images from Jim Brock Photography.
November 25, 2012 Hearing the news of Austin Peralta’s passing, at just 22, is beyond incomprehensible. At 13, Peralta had already established himself as a jazz pianist bearing the burden of comparisons to giants like McCoy Tyner. At 15, he was playing alongside giants like Ron Carter. This kid, from West Los Angeles, this progeny of a surfer-skate legacy, was off the charts fucking unbelievable. I first heard him at my cousin’s urging in 2008 (he went to high school with his daughter). I couldn’t believe what I was listening to. His cover of Tyner’s “Passion Dance” didn’t just honor the composition, it elevated it. Like that was even possible. I saw Peralta live only once. Playing to a room of 30 or so mostly friends and family at the old Jazz Bakery on a weeknight. That the world did not know this guy was beyond me. He had been a fixture in town, playing fairly often at the Blue Whale and other rooms. I did not know Austin or his family personally, but knew friends and players in his orbit and I’m probably older than the sum of most of his early trios. That he even existed in this […]
Eye on the Music and Jim Brock Photography coverage of Terence Blanchard’s latest Los Angeles dates was picked up by Joshua Johnson of Burgess Management and posted to Terence’s web site. The review and images speak to a stellar set.
Jim Brock Photography is pleased to have images of the Beach Boys featured at the Canadian National Exposition’s “Rock ‘n Roll Will Never Die” exhibit in Toronto. CanEx kicks off August 17th and draws an estimated 1.3 million visitors during it’s 16-day run. The exhibit is a 50-year retrospective of The Beatles, Stones and Beach Boys featuring rare memorabilia, photos, videos and music.