Trombone Shorty’s Voodoo Threauxdown, Greek Theatre, Los Angeles

September 15, 2018 My handy wiktionary tells me “throw down” is “to accomplish or produce something in a grand, respectable, or successful manner; to “represent””. Well, when it comes to the travelling New Orleans road show billed as Trombone Shorty’s Voodoo Threauxdown, to say that the four acts crossing the country this summer just represented, is like saying we live in uneventful times. Uh, yeah, they represented, alright. This had to be one of the best shows of the season.   This threauxdown was as close as Jazz Fest gets on the road. New Breed Brass, Pres Hall, Galactic and Shorty would be a great day on any Fest stage. That they’ve been at mid-size venues from coast-to-coast and back again is like musical room service for those with a taste for New Orleans.   When New Breed kicked off at 7, for a brief (20ish minutes), but very punchy set, the Greek was looking a little sparse. That wouldn’t last long. No breaks for this brass, they had their foot on it for the full 20.           By the time Pres Hall picked it up at 7:30, the sun was down and seats were filling […]

Arroyo Seco Weekend, Brookside Golf Course, Pasadena

June 24-25, 2017 Festival behemoth AEG and Goldenvoice are at it again, launching the inaugural Arroyo Seco Weekend after years of negotiations with the City and citizens of Pasadena, securing a 10-year deal at Brookside Golf Course, adjacent to the Rose Bowl. It’s a family forward music festival with free entry for kids under 10, a relaxed park setting, good grub and libations and a first year lineup that was more than just respectable, it had personality. Mixing big name headliners (Tom Petty and Mumford & Sons), Fest friendly mid-tiers (Dawes, Alabama Shakes), some 90s love (The Shins, Live), a hefty does of New Orleans (The Meters, Galactic, Preservation Hall Jazz Band, The Revivalists), quite respectable jazz, soul and and blues (John Mayall, Charles Bradley, Bennie Maupin, Roy Ayers), and a number of indie comers, there was also a refreshing lack of EDM or rap/hip hop to the lineup. The price point was fair, and keeping the inaugural event to three stages and two days (three days are planned in the future), was probably a pretty smart move, even more so with record breaking heat on Sunday that felt more Coachella than DTLA proximate. Freshman fests inevitably have a few […]
May 23
by Jim Brock in Reviews 0 comments tags: Aaron Wilkinson, Acura Stage, alt-country, Americana, Anders Osborne, BB King tribute, Ben ellman, Big Sam Williams, Billy Gibbons, Blodie's Jazz Jam, blues, Blues Tent, Bonnie Raitt, Boz Scaggs, Brandi Carlile, Brian Blade, Buddy Guy, Carl Dufrene, Chris Mule, classic rock, Clevenger, concert photography, Congo Square Stage, Cyril Neville, Dap Kings, Dave Malone, David Shaw, Derek Trucks, Dirty Dozen Brass Band, Donald Fagen, Economy Hall, Efrem Towns, Elvis Costello, Eye on the Music, Fais Do-Do Stage, Gal Holiday, Galactic, Gary Clark Jr., Gentilly Stage, Gibson SG, Gov't Mule, Gregory Porter, Herbie Hancock, Herlin Riley, hip hop, Honey Island Swamp Band, Hot 8 Brass Band, J Cole, Jack DeJohnette, jam bands, jam bands Susan Tedeschi, Janelle Monae, Jarekus Singleton, Jazz and Heritage Stage, jazz photography, Jazz Tent, Jim Brock Photography, Jim James, Jimmy Vaughn, John Hammond, Kirk Joseph, Kristin Diable, Lauryn Hill, Little Freddie King, Lost Bayou Ramblers, Mardi Gras Indian, Matt Garrison, Michael McDonald, Midnite Disturbers, Monk Boudreaux, My Morning Jacket, Nathaneil Rateliff, Neil Young, New Orleans Jazz and Heritage Festival, Nicholas Payton, Nightsweats, Paul Simon, Preservation Hall Jazz Band, Promise of the Real, Radiators, Raw Oyster Cult, Revivalists, Rhiannon Giddens, roots music, Shannon Powell, Sharon Jones, Skerik, Snarky Puppy, Sonor, Soul Rebels, sousaphone, Steely Dan, Stratocaster, Subdudes, Tab Benoit, Tedeschi Trucks Band, Terence Blanchard, trombone, Voice of the Wetlands All-Stars, Walter Trout, Warren Haynes, WWOZ Jazz Tent, ZZ Top

Reflections and Musings of a Jazz Fest Photographer – 2016 Edition

  Yeah, it’s been a year of musical losses. But, Prince, the day before Jazz Fest 47 got underway? WTF? From the glyph etched in the blue above the Fair Grounds the first weekend, to the Treme second line the Monday following, to My Morning Jacket’s howling “Purple Rain” finish second Friday, Jazz Fest did its part, as it always does. “I am because he was”, Janelle Monae confessed to the Congo Square stage crowd. And whether Prince or Bowie or Toussaint or B.B. or Merle, and on and on, Fest is where the music is honored and celebrated like no other gathering on the planet, even when heaven and earth throw everything at you. And this was a Fest like no other, where Stevie Wonder’s only Fair Grounds performance was an acapella Purple Rain through a bullhorn in a deluge, and where it was impossible to tell the booming thunder above, from Neil Young and POR below. The music stuck like the deep muck of the infield and never let go. And whether on stage, dancing with a stranger, singing along, holding back tears, sharing a bite, sleeping it off, that’s just a Jazz Fest fact. This photographer took […]

Galactic with Kung Fu, El Rey Theatre

March 5, 2015 Yes, it’s that time of year again. Jazz Fest is a month or so away, Opening Day even closer, and Galactic lit up the El Rey Theatre on their regular March swing through the Southland. Flashing 20 years of musical intuition and their unique brand of NOLA funk, the set featured several guest vocalists, most prominently, the very talented Erica Falls (Galactic + Falls covering “Rock Steady” = meant for each other), as well as Jurassic 5er, Chali2na and, Nicki Crawford. As if the place couldn’t get any more jacked up, The Revivalists’ David Shaw (whose band was sharing the bill with uber-jamsters Umphrey’s McGee the following night) joined late in the set for Hey Na Na. Stanton Moore is the man, and his hard hitting brushes during a solo had to school every drummer in the house. Kung Fu proved to be an excellent foil, with the Connecticut based quintet delivering their own tightly wound new funk propelled by Robert Somerville’s tenor and Tim Palmieri on guitar.                               

Galactic, Tipitina’s

December 31, 2011 Bill Graham spoiled me. The man knew how to throw a New Year’s party. 4-5 hours of cosmic Dead jams, epic substance abuse and 6,000 or so of my newest friends. The calendar would turn, Uncle Bobo would descend, Sugar Mag would kick in and all was right with the world. OK, so that was 30 years ago. Still, that ecstatic pull set a high bar few 12/31s have matched since. These days when milestones are counted in decades, New Year’s is often kept in quieter company and places, and indulgence swapped for reflection. But damn, the echo still haunts and the spirit craves a hit that only a hard wired all night jam or funk groove can provide. Add a few hundred people (or thousands or multiples thereof) primed to kick last year in the ass and anything’s possible. Call me a seeker.   Such was my latest NOLA pilgrimage that landed me at Tip’s in the waning hours of 2011 for Galactic’s annual year-end bash. With Eric Lindell’s Trio opening and billed guests including Anders Osborne, Corey Henry from Rebirth and Corey Glover of Living Colour (both Coreys vets of the last Galactic tour), prospects […]