NEWPORT FOLK FESTIVAL 2019, FORT ADAMS, RHODE ISLAND

July 26-28, 2019 As the sun dipped to meet Naragansett Bay a few Sundays back, the 60 years since the first Newport Folk Festival seemingly came full circle. The Fort Stage crowd serenading Rambling Jack Elliott, and the dozens of singers and musicians paying tribute to the spirit and songs of Pete Seeger (who appeared at the first Newport in 1959) with one last chorus of “Goodnight, Irene”. On what would have been the troubadour’s 100th birthday, it was producer Jay Sweet who encouraged the audience to have the last word and shower the stage with the love shared by all who performed and attended over the course of the three days. That the Lead Belly lyrics so simply convey love lost and always eternal, was a fitting coda to a closing set that left me more than a little teary. In a good way. Let’s just say that there are moments as a photographer when you have to put the camera down, and take it all in, and this was one of them. Welcome to Newport Folk. Newport 2019 was true to form. Full of collaboration, a few surprises and plenty of discoveries. But what was most different about […]

Newport Folk Festival 2018, Fort Adams, Rhode Island

July 27-29, 2018   In a recent podcast, producer Jay Sweet reflected on Newport Folk this way “if this festival for you is about the headliners, I don’t think this is your festival”. Not that the headliners were too shabby. Jason Isbell (with a David Crosby sit-in), Unannounced (aka, Mumford & Sons) and the closing Change is Gonna Come set, more than held down the Fort. But Newport Folk (and Jazz) is about discovery, collaboration and experimentation. It’s The War & Treaty, The Weather Station, This is the Kit, Charlie Parr, Phoebe Bridgers, and Glorietta, to name a few that stood out. It can be “a bunch of people from a bunch of bands playing a bunch of songs” as Eric Johnson said from the Quad Stage, during Saturday’s Beneath the Sacred Mountain set. If not for Newport, The Lone Bellow (Sunday) and Hiss Golden Messenger (Saturday) would not have worked their way into my world years ago. Not to mention all the goodness my ears and heart enjoyed in between the new and familiar.   The Fort’s four stages are close, but not tight, and stage times rarely compete like so many other festivals where you can’t tear yourself […]

Arroyo Seco Weekend, Brookside Golf Course, Pasadena

June 24-25, 2017 Festival behemoth AEG and Goldenvoice are at it again, launching the inaugural Arroyo Seco Weekend after years of negotiations with the City and citizens of Pasadena, securing a 10-year deal at Brookside Golf Course, adjacent to the Rose Bowl. It’s a family forward music festival with free entry for kids under 10, a relaxed park setting, good grub and libations and a first year lineup that was more than just respectable, it had personality. Mixing big name headliners (Tom Petty and Mumford & Sons), Fest friendly mid-tiers (Dawes, Alabama Shakes), some 90s love (The Shins, Live), a hefty does of New Orleans (The Meters, Galactic, Preservation Hall Jazz Band, The Revivalists), quite respectable jazz, soul and and blues (John Mayall, Charles Bradley, Bennie Maupin, Roy Ayers), and a number of indie comers, there was also a refreshing lack of EDM or rap/hip hop to the lineup. The price point was fair, and keeping the inaugural event to three stages and two days (three days are planned in the future), was probably a pretty smart move, even more so with record breaking heat on Sunday that felt more Coachella than DTLA proximate. Freshman fests inevitably have a few […]

Waddy Wachtel Band, The Joint

November 16, 2013   Some of rock’s most indelible moments are the work of sidemen and session players, most of whom stay in the shadows, some of whom go on to achieve fame of their own. Over the past 14 years at The Joint, you could wander in from a unremarkable stretch of Pico Boulevard on the occasional Monday night and catch some of these unsung heroes, joined by rock royalty – Keith Richards, Robert Plant, Roger Daltrey, Eric Burdon or Joe Walsh, to name a few. What draws them is the opportunity to sit in with a house band made up of some of the best session musicians and touring sidemen around. And for $10/head, you know they ain’t in it for the money. The band, headed up by revered axeman and producer Waddy Wachtel, includes longtime Rolling Stones backup vocalist Bernard Fowler, ex-Tom Petty drummer Phil Jones, Fleetwood Mac, David Lee Roth and Coverdale-Page keyboardist, guitarist and vocalist Brett Tuggle, and Neil Young and Joe Walsh alum Rick “the bass player” Rosas. Now, I’ve caught my share of these gigs over the years (without the special guests) and never failed to have a blast. Wachtel’s credits are a […]