Jun 08
by Jim Brock in Reviews 1 comments tags: 610 Stompers, Aaron Wilkinson, accordion, Acura Stage, Aerosmith, Amanda Shaw, Americana, Anders Osborne, Anita Baker, Archie Shepp, Astral Project, Beck, Ben Ellmen, Big Chief Red, bluegrass, blues photography, Blues Tent, Bo Dollis, Bonerama, Brandon Lewis, Buddy Guy, Butler Bernstein, Cage the Elephant, cajun music, Carolyn Wonderland, Charles Lloyd, Charlie Gabriel, Chris Mule, Christian Scott, classic rock, Clint Maedgen, Commodores, concert photography, Congo Square Stage, Corey Henry, Darcy Malone, Dave Malone, David Byrne, David Shaw, Debbie Davis, Delbert McClinton, Dianne reeves, Dirty Notes, Doug Kershaw, Dumpstaphunk, Ellis Marsalis, Epiphone guitar, Erica Falls, Eye on the Music, Fais Do-Do Stage, Fats Domino, Galactic, Gentilly Stage, George Benson, George Wein, Gibson SG, Givers, Glen David Andrews, Gospel Tent, Henry Butler, Hiss Golden Messenger, Honey Island Swamp Band, Hot 8 Brass Band, Hot 9, Hot Rize, Instruments a'Comin', Irma Thomas, Ivan Neville, Jack Johnson, Jack White, Jake Shimabukuro, Jason Isbell, Jazz & Heritage Stage, jazz photography, Jeff Raines, Jesse McBride, Jim Brock Photography, Jimmy Buffett, John Boutte, John Mahoney Big Band, John Mayall, Johnny Sketch, Johnny Vidacovich, Jon Batiste, Kermit Ruffins, Kidd Jordan, Lagniappe Stage, Leah Chase, Les Paul, Leyla McCalla, Lionel Richie, LMB, Lucinda Williams, Lyle Lovett, Mardi Gras indians, Mark Mullins, MC Taylor, Mike Dillon, Mr Sipp, music photography, New Orleans Jazz and Heritage Festival, Nicholas Payton, Old Crow Medicine Show, Paul Sanchez, Police, Preservation Hall Jazz Band, Quint Davis, Radiators, reggae, Rich Vogel, Robert Mercurio, Rolling Road Show, Ron Carter, Ronell Johnson, roots music, Ruthie Foster, Samantha Fish, Shamarr Allen, Shannon Powell, Sheryl Crow, Sonny Landreth, Stanton Moore, Stephen Bernstein, Steve Miller, Steve Riley, Steve Tyler, Sting, Stratocaster, Sturgill Simpson, Talking Heads, Tank & the Bangas, Telecaster, Terence Blanchard, The Revivalists, Thinline, Threadheads, Tipitina's, Tipitina's Foundation, Toots & the Maytals, trombone, Trumpet Mafia, ukelele, Walter Trout, website, Wild Magnolias, WWOZ Jazz Tent

Reflections and Musings of a Jazz Fest Photographer – 2018 Edition

April 27 – May 6, 2018 Best Jazz Fest ever? It’s a tie between the last one and the next one. Jazz Fest 49 was no exception. Seven Fest days and 30 minutes of rain. Unheard of. Unexpected discoveries? Check. Food I’m still working off? Check. Love in an Elevator? Never mind. Yes, Aerosmith at Jazz Fest had some folks head scratching when announced, but they went over big at their only gig of the year. And, as any Fest vet knows, it ain’t about the BNAs (“big name acts”). While this year was solid with the likes of Sting, Rod Stewart, Beck, Jack White et al. who knew the place would be abuzz over Socks in a Frying Pan from Ireland? Aah, but I digress… This photographer is fortunate to have a few ease in days ahead of Fest and we got in the mood Thursday night with Tony Hall, Terence Higgins, Roosevelt Collier and Jonathon “Boogie” Long funking up Jimi at NOLA Brewing on Tchoup. Fueled by a bellyful of BBQ pork and house brew, this was a boatload of fun with plenty of room to move in the beer warehouse by day room. The playing was loose, […]

Newport Folk Festival, Ft. Adams, Rhode Island

July 29-30, 2017 “These songs are a living language”, Billy Bragg told the crowd early in his Harbor Stage set with Joe Henry at the Newport Folk Festival on Saturday. Six words that pretty much sum up the heart and soul of this legacy event that sits atop so much musical history. So, true to form, one of the more anticipated Sunday performances was Speak Out! A set that started with the rollicking Preservation Hall Band horns slowing “When the Saints Come Marching In” down to a somber crawl, bleeding into the National Anthem before singer Kyle Craft launched into Bowie’s “Heroes”. A band that grew to include Austin’s Shakey Graves and My Morning Jacket’s Carl Broemel and others, with Graves leading the first person Trumpian rant “I’m Better Than You”. Newport Folk is about the words and the music. Songs that stir and shake, songs you shake your ass to, songs that provoke, songs that matter. But it’s also about discovery of new voices and sounds, and the fingerprints of founder George Wein still carting around Ft. Adams, and the guiding hand of producer Jay Sweet. Newport is about surprises, highlighted this year by the “unannounced” return of Nathaniel […]

Newport Folk Festival 2015, Day 3

July 26, 2015 Proudly sitting on a half century plus of tradition, the Newport Folk Fest feels more like a mellow picnic with your pals and belies its legacy as one of the most important music events of past and present. With attendance capped at 10,000 and the historic Ft. Adams setting on Naragansett Bay, it is a personal, friendly experience. One where the event co-founder, 89-year old George Wein, is still scooting around the Fort shaking hands, talking to people and taking it all in. A gathering built of sturdy roots and tradition, one that honors the music first, and where most favor their ears, (and the space between them), over their smartphones. I recently came across a HuffPo piece on whether music festivals have lost their mojo and devolved into customized super concerts for Generation Distracted. It’s a fair, but debatable point. And one that warrants further appreciation that Newport Folk exists at all. It’s hard to grasp now that just the mere act of plugging in by a young Bob Dylan in 1965 was taken as both rebellion and betrayal (still debated today). The stakes were that high (Elijah Wald’s excellent “Dylan Goes Electric! Newport, Seeger, Dylan, […]

Newport Folk Festival 2014, Day 3

July 27, 2014 Few festivals conjure up historic page turners like Newport Folk. Dylan’s 1965 plugged in performance is the stuff of legend that only happens to be true. But by the time the 70’s rolled around, the event fell on harder times and went dark until resurrected in 1985. These days, there still is nothing like Newport. The picture perfect setting, Pete Seeger’s presence everywhere and attendance capped at 10K. This is a Fest just as independent as days of yore, whose acts are not about a paycheck and are on the bill regardless of sales. When asked his definition of “folk” recently, Fest producer Jay Sweet told JamBase that founder George Wein considered folk as “anything that wasn’t jazz”. This Fest has held true to that renegade spirit. In that same interview, Sweet went on to say that acts are booked because “I want them to play…the audience demands that you play…and the artist wants to play”. As Rolling Stone noted recently, talent will often play for less, just to be a part of the Newport experience. So, it was my good fortune that at the end of an East Coast vacation, I was able to wrap the […]