Jun 08
by Jim Brock in Reviews 1 comments tags: 610 Stompers, Aaron Wilkinson, accordion, Acura Stage, Aerosmith, Amanda Shaw, Americana, Anders Osborne, Anita Baker, Archie Shepp, Astral Project, Beck, Ben Ellmen, Big Chief Red, bluegrass, blues photography, Blues Tent, Bo Dollis, Bonerama, Brandon Lewis, Buddy Guy, Butler Bernstein, Cage the Elephant, cajun music, Carolyn Wonderland, Charles Lloyd, Charlie Gabriel, Chris Mule, Christian Scott, classic rock, Clint Maedgen, Commodores, concert photography, Congo Square Stage, Corey Henry, Darcy Malone, Dave Malone, David Byrne, David Shaw, Debbie Davis, Delbert McClinton, Dianne reeves, Dirty Notes, Doug Kershaw, Dumpstaphunk, Ellis Marsalis, Epiphone guitar, Erica Falls, Eye on the Music, Fais Do-Do Stage, Fats Domino, Galactic, Gentilly Stage, George Benson, George Wein, Gibson SG, Givers, Glen David Andrews, Gospel Tent, Henry Butler, Hiss Golden Messenger, Honey Island Swamp Band, Hot 8 Brass Band, Hot 9, Hot Rize, Instruments a'Comin', Irma Thomas, Ivan Neville, Jack Johnson, Jack White, Jake Shimabukuro, Jason Isbell, Jazz & Heritage Stage, jazz photography, Jeff Raines, Jesse McBride, Jim Brock Photography, Jimmy Buffett, John Boutte, John Mahoney Big Band, John Mayall, Johnny Sketch, Johnny Vidacovich, Jon Batiste, Kermit Ruffins, Kidd Jordan, Lagniappe Stage, Leah Chase, Les Paul, Leyla McCalla, Lionel Richie, LMB, Lucinda Williams, Lyle Lovett, Mardi Gras indians, Mark Mullins, MC Taylor, Mike Dillon, Mr Sipp, music photography, New Orleans Jazz and Heritage Festival, Nicholas Payton, Old Crow Medicine Show, Paul Sanchez, Police, Preservation Hall Jazz Band, Quint Davis, Radiators, reggae, Rich Vogel, Robert Mercurio, Rolling Road Show, Ron Carter, Ronell Johnson, roots music, Ruthie Foster, Samantha Fish, Shamarr Allen, Shannon Powell, Sheryl Crow, Sonny Landreth, Stanton Moore, Stephen Bernstein, Steve Miller, Steve Riley, Steve Tyler, Sting, Stratocaster, Sturgill Simpson, Talking Heads, Tank & the Bangas, Telecaster, Terence Blanchard, The Revivalists, Thinline, Threadheads, Tipitina's, Tipitina's Foundation, Toots & the Maytals, trombone, Trumpet Mafia, ukelele, Walter Trout, website, Wild Magnolias, WWOZ Jazz Tent

Reflections and Musings of a Jazz Fest Photographer – 2018 Edition

April 27 – May 6, 2018 Best Jazz Fest ever? It’s a tie between the last one and the next one. Jazz Fest 49 was no exception. Seven Fest days and 30 minutes of rain. Unheard of. Unexpected discoveries? Check. Food I’m still working off? Check. Love in an Elevator? Never mind. Yes, Aerosmith at Jazz Fest had some folks head scratching when announced, but they went over big at their only gig of the year. And, as any Fest vet knows, it ain’t about the BNAs (“big name acts”). While this year was solid with the likes of Sting, Rod Stewart, Beck, Jack White et al. who knew the place would be abuzz over Socks in a Frying Pan from Ireland? Aah, but I digress… This photographer is fortunate to have a few ease in days ahead of Fest and we got in the mood Thursday night with Tony Hall, Terence Higgins, Roosevelt Collier and Jonathon “Boogie” Long funking up Jimi at NOLA Brewing on Tchoup. Fueled by a bellyful of BBQ pork and house brew, this was a boatload of fun with plenty of room to move in the beer warehouse by day room. The playing was loose, […]

Newport Jazz Festival 2016

July 29-31, 2016 Newport Jazz. Coltrane’s last performance. History that reaches back to 1954. And, yes, the oldest annual jazz festival in North America is still under the stewardship of founder George Wein for one last year. Newport, along with the Monterey Jazz Festival on the West Coast in September, stands taller than the rest and for good reason. The stunning Ft. Adams setting, the showcase for fresh directions and emerging acts, and the legacy of musical giants past and present all converge for an event that has long been on my jazz bucket list. Having the good fortune to drop in at Newport Folk the past few years, this was my first shot at Newport Jazz, which retains the stage layout from the previous week’s Folk Fest. The smallest tent is barely more than a dozen rows deep, while the largest stage is set against a backdrop of breathtaking bay and bridge views. Both events are incredibly relaxed and attendance is capped at 10K, creating one of the more intimate festival experiences of any year. Sure, the crowd and vibe skew differently between weekends, but damn if jazz isn’t alive and well in the Northeast, and a younger Millenial […]

Mardi Gras Bhangra with Red Baraat and Butler, Bernstein & the Hot 9, Royce Hall

February 9, 2016 Fat Tuesday in Los Angeles is hard to discern from any other day of the year in this sun spoilt metropolis. Once you get past the pre-packaged king cakes in Whole Foods, there are limited options to channel any decent Mardi Gras energy. Fortunately, the Center for the Art of Performance (CAP) at UCLA, who never fail to pull a season together of the worldly and eclectic, really hit on something when renowned New Orleans pianist, Henry Butler (with Butler, Bernstein & the Hot 9) travelled west at the same time Brooklyn dhol’n’brassers Red Baraat kicked off a coast-to-coast tour. This Mardi Gras Bhangra bill was as close to real deal as we’ll get in this town, and a convergence of river deltas like no other. Words tend to fall short when describing Red Baraat. This speaks less about my limited vocabulary and more about music that bends and infuses the seemingly disparate global elements of wedding music from Northern India (“baraat” is Hindi for a groom’s wedding procession) and the fat horns and funk of New Orleans, and then makes such utterly perfect sense when you experience it. Suffice to say it is a mashup of […]