Arroyo Seco Weekend, Brookside Golf Course, Pasadena

June 23-24, 2018 Arroyo Seco Weekend is not fussy. The beer is thick with local crafts, the something for everyone eats abundant with vegetarian options, and, yes, it felt like a day in the park with a rich soundtrack. The inclusive, relaxed setting and vibe made for one of most satisfying fest experiences I’ve had outside New Orleans. Goldenvoice worked out many of the freshmen kinks to bring us a uniquely L.A. area festival that was musically textured and easy to navigate, with zero attitude, when it so could have gone the other way. No need to pony up for VIP treatment here. Getting around was no issue, food and (pricey) drinks were never too far, Rose Bowl bathrooms were always an option, and while the Oaks stage was packed for headliners, it was manageable and easy to get close throughout most of the day. Oh, did I mention parking was included with entry? Even with only three stages, I still racked up 7-8 miles a day covering 30 of 36 acts over the weekend, but the 8th and 9th holes and driving range of Brookside felt like carpet compared to most fests. Near perfect June weather helped. Saturday highlights […]
May 28
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REFLECTIONS AND MUSINGS OF A JAZZ FEST PHOTOGRAPHER – 2017 EDITION

Heading home from Jazz Fest 48 it seemed I’d passed through a lifetime’s worth of sounds, tastes and bonding since arriving in New Orleans a few weeks back. Friendships deepened, the palette was bathed in constant indulgence, the liver took a bit of a hit and a soundtrack that will echo well into the dog days of Summer still resonates sweetly. For the uninitiated, Jazz Fest (short for the New Orleans Jazz and Heritage Festival) is the most diverse musical party on the planet replete with 13 stages, tents and pavilions spread across the Fair Grounds Race Course, a few miles from the French Quarter. Quite simply, there is nothing like it. And, as with the city that bears its name, Jazz Fest is not something you wrap your head around, it’s something you feel in your exhausted and happy bones. And, man, were they exhausted and happy.  My perspective is of a working photographer first and a fan second. I am on task covering 15 – 20 acts and 7-8 miles of ground a day. My musical encounters are often brief, and occasionally cosmically timed. My colleagues in the pit are extremely talented and a pretty respectful and decent bunch to […]

Tom Petty and the Heartbreakers + Steve Winwood, The Forum

October 10, 2014 Tom Petty has been an L.A. boy for 40 years. You can say he’s more than adopted the city as his hometown and the feeling is mutual, the crushing goes both ways. Petty and the Heartbreakers are pretty much synonymous with this town. So, it was completely fitting that his current US tour ended here with two nights at the spectacularly renewed Forum. The evening proved to be a master class in garage rock (meant in the best way) featuring just about every iconic guitar and classic guitar tone imaginable. From the dueling Tele shredding on a tribute to the late Paul Revere’s “I’m Not Your Stepping Stone” to the twin Thunderbirds tearing at the throat of “You Wreck Me”, guitar geeks everywhere were drooling from start to finish. Vintage Les Pauls, classic SGs, Flying V’s and Rickenbackers, teardrops of a few shapes and sizes, a bright red Gretsch with more odd angles than an AP trig test, to name a few, all made appearances before the evening was out. But the Friday night show I attended was so much more than just the compadres Petty and Mike Campbell flashing their collections. Petty made himself right at […]

Yes with Syd Arthur, Greek Theatre

August 24, 2014 Sure prog rock is so 1974, yet, the stuff holds up. Hear me out. The bongs and headphones crowd may have moved on to second wives/third mortgages. But, long before World of Warcraft and GOT, stoner nerds nursed their souls to music that was complex, epic in scale and classically influenced, inasmuch the twain ever met (confession, first time I really heard Stravinsky was the recorded opening of 1972’s “Yes Songs”). Emerson, Lake and Palmer may have grabbed my head, but Yes had me at “Your Move/All Good People”. Steve Howe’s 12-string laud, Jon Anderson’s lilting vocals, Chris Squire’s rowdiness pushing all the niceties out of the way.  I even bought into the grandeur of “Tales from Topographic Oceans” the 1973 double album comprised of four sides/four tracks based on Hindu scripture (and clearly Jon Anderson’s dive into the deep end). And then there was Roger Dean’s cover art that seemingly made the other worldly accessible. Alas, by the late 70s, new wave and punk spat on such indulgences and Yes along with their prog brethren strove for the middle and drowned in the rebel yell of the time. Not that prog every really went anywhere. Bands […]