Arroyo Seco Weekend, Brookside Golf Course, Pasadena

June 24-25, 2017 Festival behemoth AEG and Goldenvoice are at it again, launching the inaugural Arroyo Seco Weekend after years of negotiations with the City and citizens of Pasadena, securing a 10-year deal at Brookside Golf Course, adjacent to the Rose Bowl. It’s a family forward music festival with free entry for kids under 10, a relaxed park setting, good grub and libations and a first year lineup that was more than just respectable, it had personality. Mixing big name headliners (Tom Petty and Mumford & Sons), Fest friendly mid-tiers (Dawes, Alabama Shakes), some 90s love (The Shins, Live), a hefty does of New Orleans (The Meters, Galactic, Preservation Hall Jazz Band, The Revivalists), quite respectable jazz, soul and and blues (John Mayall, Charles Bradley, Bennie Maupin, Roy Ayers), and a number of indie comers, there was also a refreshing lack of EDM or rap/hip hop to the lineup. The price point was fair, and keeping the inaugural event to three stages and two days (three days are planned in the future), was probably a pretty smart move, even more so with record breaking heat on Sunday that felt more Coachella than DTLA proximate. Freshman fests inevitably have a few […]
May 28
by Jim Brock in Reviews 0 comments tags: 20 Feet From Stardom, Aaron Neville, Aaron Wilkinson, Acura Stage, Adonis y Osain Del Monte, Alabama Shakes, Alex McMurray, Americana, Anders Osborne, Batiste family, Beausoleil, Blodie's Jazz Jam, blog, blues guitar, blues photography, Blues Tent, Blues Traveller, Bonerama, Brady Blade, brass bands, Brittany Howard, Buddy Guy, cajun music, Carl Dufrene, Charles Neville, Chris Mule, concert photography, Congo Square Stage, Cowboy Mouth, Craig Klein, Cuba Pavilion, Cuban music, Dairus Rucker, Dave Matthews, Dave Torkanowsky, David Shaw, Dawes, Dirty Dozen Brass Band, Dumpstaphunk, Economy Hall Tent, Eric Lindell, Eric McFadden, ES-335, Eye on the Music, Fais Do-Do Stage, Galactic, Gentilly Stage, George Porter, Gibson Firebird, Gospel Tent, Greg Hicks, Gregory Davis, Harry Connick, Heartbreakers, Helen Gillet, Honey Island Swamp Band, Instruments a Comin', Ivan Neville, jam bands, Jazz and Heritage Stage, Jazz Epistles, jazz photography, JBP website, Jeff Raines, Jeff Tweedy, Jesse McBride, Jim Brock Photography, Jimmy Herring, Joey Alexander, John Bell, John Boutte, John Popper, Johnny Sansone, Jon Batiste, Jonathon Boogie Long, Jonny Lang, Judith Owen, Kenny Wayne Shepherd, Kris Royal, Kristin Diable, Lagniappe Stage, Lake Street Dive, Lakland bass, Leo Nocentelli, Leon Bridges, Lisa Fischer, live music photography, Lone Bellow, Lorde, Lucien Barbarin, Margo Price, Mark Mullins, Michael Doucet, Mike Campbell, Mr Sipp, music photography, New Orleans Jazz and Heritage Festival, New Orleans music, Pedrito martinez, Rachael Price, Revivalists, Rhiannon Giddens, Rickenbacker, rock photography, roots music, Roots of Music, Runnin' Pardners, Skerik, Stanton Moore, Stay Human, Stevie Wonder, Taylor Goldsmith, Telecaster, Terence Blanchard, The Meters, Threadhead, Tipitina's Foundation, Tips Interns, Tom Petty, Tony Hall, Tower of Power, traditional jazz, Trey Anastasio. Languedoc, Trombone Shorty, trumpet, Tuxedo Brass, Voice of the Wetlands All-Stars, Waylon Thibodeaux, Wayne Toups, Widespread Panic, Wilco, WWOZ Jazz Tent, zydecajun

REFLECTIONS AND MUSINGS OF A JAZZ FEST PHOTOGRAPHER – 2017 EDITION

Heading home from Jazz Fest 48 it seemed I’d passed through a lifetime’s worth of sounds, tastes and bonding since arriving in New Orleans a few weeks back. Friendships deepened, the palette was bathed in constant indulgence, the liver took a bit of a hit and a soundtrack that will echo well into the dog days of Summer still resonates sweetly. For the uninitiated, Jazz Fest (short for the New Orleans Jazz and Heritage Festival) is the most diverse musical party on the planet replete with 13 stages, tents and pavilions spread across the Fair Grounds Race Course, a few miles from the French Quarter. Quite simply, there is nothing like it. And, as with the city that bears its name, Jazz Fest is not something you wrap your head around, it’s something you feel in your exhausted and happy bones. And, man, were they exhausted and happy.  My perspective is of a working photographer first and a fan second. I am on task covering 15 – 20 acts and 7-8 miles of ground a day. My musical encounters are often brief, and occasionally cosmically timed. My colleagues in the pit are extremely talented and a pretty respectful and decent bunch to […]

George Porter, Jr. & Friends, The Mint

October 21, 2016 Any chance to hear Meters bassist George Porter, Jr. in the southland is a treat, and he brought a little Maple Leaf with him for a generous two-setter at The Mint billed as a celebration of Porter, Jr. with special guests. GPJ was flanked by drummer Terrence Houston and Michael Lemmler on keys throughout the night. Tal Wilkenfeld, another absolutely remarkable four-stringer was the first to sit in, and the bass off that ensued was memorable, to say the least. Singer-guitarist Laith Al-Saadhi helped close the first set with a smoking “Sneakin’ Sally Through the Alley”. Jane’s Addiction drummer Stephen Perkins joined Houston behind his kit to start the second set and took over for a few tunes digging in with all the physicality of his other band. The set featured a killer “Lovelight” and staples like “I Feel Like Funkin’ it Up”, “Hey Pocky Way”, ”Will it go Round in Circles” and a charging take of “Them Changes”. The show finished at a very Leafy 1:20 AM or so. Porter, Jr. was honored on Saturday with a Lifetime Achievement Award by Bass Player Live! and The Mint gig left no doubt of how deserving the funk […]
May 23
by Jim Brock in Reviews 1 comments tags: Abner Ramirez, accordion, Acura Stage, Alabama Shakes, Alejandro Escovedo, Alex McMurray, Allen Toussaint, Alynda Lee Seggara, Amanda Sudano, Americana, Anders Beck, Anders Osborne, Arcade Fire, Astral Project, Avett Brother, B-3, Baritone Bliss, baritone sax, Bernard Allison, Big Chief Monk Boudreaux, Big Freedia, Big Sam Williams, Bill Nershi, Blodie's, Blues Tent, Bombino, Bonerama, Boz Scaggs, Brittany Howard, Casandra Faulconer, Chaka Khan, Chick Corea, Christina Aguillera, Chuck D, Cody Dickinson, concert photography, Congo Square, Cowboy Mouth, Creedence Clearwater, Dan Oestreicher, David Shaw, Dirty Dozen Brass Band, Dumpstaphunk, E Street, Ed Williams, Eric Clapton, ES-335, Eye on the Music, Ezra Koenig, Fender guitar, Flavor Fav, Fred LeBlanc, Gal Holiday, Galactic, George Porter, Glen David Andrews, Greensky Bluegrass, Gregory Davis, Gregory Porter, Henry Butler, Honey Island Swamp Band, Hooray for the Riff Raff, Infamous Stringdusters, Irvin Mayfield, Ivan Neville, James Si, Jason Isbell, Jazz Fest, Jazz Tent, Jimmy Buffet, Joe Krown, John Boutte, John Fogerty, John Fohl, John Hiatt, John Thomas Griffith, Johnny Sansone, Johnny Vidacovich, JOHNNYSWIM, Jonathon Boogie Long, Keb Mo, Lakland, Laura Mvula, Led Zeppelin, Liam Tyson, Lil' Nathan, Little Freddie King, Lonnie Smith, Luther Dickinson, Lyle Lovett, Maggie Koerner, Marcia Ball, music photography, New Orleans Jazz and Heritage Festival, New Orleans music, New Orleans Suspects, Nikki Glaspie, North Mississippi Allstars, Patry, Paul Languedoc, pedal steel, Pharoah Sanders, Phish, Public Enemy, Quint Davis, Raul Malo, Reggie Scanlon, riti, Robert Earl Keen, Robert Plant, rock photography, Rodriguez, Roger Lewis, Roosevelt Collier, Runnin' Pardners, Russ Broussard, Russell Batiste, Samsung Galaxy Stage, Santana, Sensational Space Shifters, slide guitar, Soul Rebels, Southeastern, Springsteen, Stanton Moore, Stratocaster, String Cheese Incident, Sugarman, Tab Benoit, Terence Blanchard, The Mavericks, The Meters, The Nevilles, The Radiators, The Revivalists, The Wailers, Threadhead Records, Tom Morello, Tony Hall, Trey Anastasio, trombone, Trombone Shorty, Vampire Weekend, Voice of the Wetlands, Walter Wolfman Washington, Wayne Toups, Win Butler, World Boogie, Zachary Richard, zydeco, Zyedcajun

Reflections of a Wandering Jazz Fest Photographer

Years come and go. Jazz Fests do not. They endure. Each seemingly better than the last. Each its own indelible stamp on the soul. Jazz Fest 45 had everything going for it and, man, it did not disappoint. From the time the lineup dropped in January and headliner after headliner brought smiles, to the days of Fest without a drop of rain and temps in the 70s and 80s, to the ensuing butter and crawfish withdrawl, Fest 45 delivered. The big moments were big – Springsteen and New Orleans deepening their love affair, an epic crowd for Clapton, Phish’s return after 18 years and Robert Plant flashing some legend. But the small moments were big, too. Kindness spread generously throughout the Fair Grounds for seven days and musicians who were on stage one day would be roaming around the next. Locals Johnny Sansone, Irvin Mayfield and James Singleton were regularly spotted throughout the Fest. Photographer and fan frequently collide within me. Call it an occupational hazard. Stay on task, cover ground, hit my stages. But sometimes, you gotta just put the gear down and take it all in. I actually managed to do that (a little). I’ve come to the […]
May 27
by Jim Brock in Reviews 1 comments tags: A Tribe Called Red, Acura Stage, Alex McMurray, Allen Toussaint, Anders Osborne, Andrew Bird, Astral Project, AXS TV, B.B. King, Band of Horses, banjo, baritone sax, Beausoleil, Ben Harper, Ben Jaffe, Big Sam Williams, Bill Summers, Billy Hart, Billy Joel, Black Crowes, Black Keys, Blues Tent, Bonerama, Brian Blade, C.J. Chenier, Calexico, Campbell Brothers, Carl Dufrene, Carlo Nuccio, Carousel bar, Cecil McBee, Cesar Rosas, Charlie Musselwhite, concert photography, Congo Square Stage, Corey Glover, Corey Henry, Craig Handy, Dan Auerbach, Danilo Perez, Dark Matter, Dave Malone, Dave Matthews, David Shaw, David Torkanowksy, David Weiss, Debbie Davis, Del McCoury, Dianne reeves, DMB, Dr. John, Dumpstaphunk, Economy Hall Tent, Eddie Henderson, Eddie Palmieri, Edward "Kidd" Jordan, Electric dobro, Epiphone, Eric Bolivar, Eye on the Music, Fais Do-Do Stage, Fi-Yi-Yi, Fleetwood Mac, Fleur Debris, Flow Tribe, Frank Bua, Frank Ocean, Funktet, Galactic, Gary Glark, Gentilly Stage, George Benson, George Cables, George Duke, George Porter Jr., Gibson ES-335, Gipsy Kings, Glen David Andrews, Henry Butler, Irvin Mayfield, Ivan Neville, jam bands, Jamaal Batiste, Jason Marsalis, Jazz & Heritage Stage, Jazz Fest, jazz photography, Jazz Tent, Jazzfest, Jazzfest Foundation Archive, Jerry Douglas, Jill Scott, Jim Brock Photography, Jimmy Herring, Joe Ashlar, Joey Peebles, John Boutte, John Gros, John Mayer, John Pattitucci, Johnathon Boogie Long, Johnny Sansone, Johnny Vidacovich, Jon Cleary, Joshua redman, Kendrick Scott, Kevin O'Day, Khris Royal, Kristin Diable, Lagniappe Stage, Lakland bass, Lenny White, Leo Nocentelli, Little Willies, live music, Los Bayou Ramblers, Los Hombres Calientes, Los Lobos, Los Po-Boy Citos, Lucille, Ludwig drums, Luther Dickinson, Luther Kent, Marcia Ball, Mardi Gras indians, Mark Mullins, Matt Perrine, Michael Doucet, Midnite Disturbers, Mike Ballard, Modeliste, New Orleans jazz, New Orleans Jazz & Heritage Festival Foundation, New Orleans music, Nicholas Payton, Nite Tripper, NOLA.com, Norah Jones, North Mississippi Allstars, Offbeat, Page McConnell, Papa Grows Funk, Patrick Carney, Patti Smith, Paul Sanchez, Pete Murano, Phish, Phoenix, Preservation Hall Jazz Band, Quint Davis, Radiators, Raul Malo, Raw Oyster Cult, rock photography, Roger Lewis, Rolling Road Show, Rolling Stone, Ronnie McCoury, Rosie Ledet, Roy Ayers, Runnin' Pardners, Sasha Masakowski, Shannon Powell, Sidney Bechet, Skerik, Sonny Landreth, soprano sax, Soul Rebels Brass Band, Stanley Clarke, Stanton Moore, Steve Masakowski, Stratocaster, Tab Benoit, Taj Mahal, Telecaster, Terence Blanchard, Terrance Simien, The Cookers, The Mavericks, The Meter Men, The Meters, The Revivalists, Thomas Hedlund, Thomas Mars, Tony Dagradi, Treme, Trickbag, trombone, Trombone Shorty, tuba, Twangorama, Vasti Jackson, Voice of the Wetlands, Wayne Shorter, Widespread Panic, Wille Nelson, Woodenhead, Zack Smith, Zigaboo, zydeco, Zydeco Playboys

Reflections and Musings of a Jazz Fest Photographer

The 44th annual New Orleans Jazz and Heritage Festival is a few weeks past and my rear view reflections only seem to sweeten the experience. This Jazz Fest, my 10th overall, is best summarized by an exchange between two Festers NOLA bound from NYC by train, one a dear friend, composer and 3-timer, the other a vet from a krewe known for their affection for Fezs (yeah, you heard that right). “Hope to see you next year”…. “You will, and every year after that until I die.” What Rolling Stone calls the “greatest music event on the planet” inspires such pure devotion. 60+ acts a day, 12 stages and tents, 7 days (no repeats, Coachella, you listening ACL?). Most of my time these days is in the pit or hustling from one stage to the next, trying to burn more calories than I eat while keeping up with artists and bands older and younger than I am (not in my 40s anymore). Fest photographers do not get to enjoy whole sets. Far from it. With 3 and outs for most big names, as well as other random acts, and much ground to cover, the feast becomes a mountain of nibbles […]
Jun 06
by Jim Brock in Reviews 1 comments tags: Acura Stage, Al Green, Allen Toussaint, Anders Osborne, Beach Boys, Ben Jaffe, blues guitar, Blues Tent, Bonnie Raitt, bottleneck slide, Bruce Hornsby, cajun music, Charles Neville, classic rock, concert photography, Congo Square Stage, Corey Henry, Dap Kings, Derrick Shezbie, Esperanza Spalding, Eye on the Music, Florence + the Machine, Florence Welch, Gabriela Quintero, Galactic, Gary Clark, Generations Hall, Gentilly Stage, George Porter, Gibson ES-335, Glen David Andrews, Glen Hansaard, Gospel Tent, Grace Potter, Grace Potter and the Nocturnals, Herbie Hancock, Intsruments A Comin', Irma Thomas, James Cotton, jazz, jazz photography, Jazz Tent, Jim Brock Photography, John Boutte, Johnny Vidacovich, Joseph Lastie, Lakland bass, Leo Nocentelli, live music, Mike Love, music photography, My Morning Jacket, New Orleans jazz, New Orleans Jazz and Heritage Festival, New Orleans music, New Orleans Musicians for Obama, Noisemakers, Patrick Hallahan, Paul Sanchez, pedal steel, piano, Preservation Hall Jazz Band, Radio Music Society, rebirth Brass Band, Rodrigo Sanchez, Rodrigo y Gabriela, Savoy Music Center, Sharon Jones, Soul Rebels Brass Band, soul singers, sousaphone, Stanton Moore, Stratocaster, surf music, Swell Season, Takamine, Terence Higgins, The Meters, The Revivialists, Threadhead Records, Tipitina's, Tipitina's Foundation, Treme, trombone, Trombone Shorty, trumpet, tuba, Voice of the Wetlands, Warren Haynes, Warren Haynes Band, zydeco music

Jazzfest 2012 Reflections

From the Revivalists passionate opening Gentilly set to the final moments of Springsteen’s plaintive reading of Saints, the first weekend of Jazzfest 2012 was an abundance of special moments.  Yes, the draws were the Acura headliners. Petty and Bruce delivered deep satisfying sets (from what I was able to catch), and Springsteen’s presence was a rallying cry of celebration and reflection. A reminder of how New Orleans has healed since his epic 2006 post-Katrina Seeger Sessions appearance, and how far there is still to go. Even the Beach Boys brought their game, judging by the smiles and sing alongs from a nice size Acura crowd. But, hey, did you check out Seun Kuti and Egypt 80 at Congo Square?  The four generations of players from 9 to 90+ that filled the Fais Do Do on Saturday for the Savoy Music Center Cajun Jam? How about Bon Iver’s stirring (and unexpected) connection with the Jazzfest crowd? Gary Clark, Jr. absolutely tearing down the Blues Tent opposite the Boss with Texas blues that left teeth marks? Not to mention the Voice of the Wetlands All-Stars and Jon Cleary & the Absolute Monster Gentlemen showing Tom Petty how it’s done in New Orleans. […]