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Jim Brock Photography collaborates with New Orleans artist Steven Sweet for Jazzfest Shabbat project
April 18, 2012
Touro Synagogue’s annual Jazzfest Shabbat service is a tradition that has featured the likes of Irma Thomas, Marcia Ball, Allen Toussaint, Irma Thomas and Jeremy Davenport over its 21 years. This year, John Boutte will grace the bima for this uniquely New Orleans gathering. Anyone who has heard John sing knows the beauty and soul his voice will bring to the service.
The event is commemorated by an illustrative interpretation of Jim Brock Photography’s image of Mr. Boutte by New Orleans artist Steven Sweet. The piece was commissioned by Touro Synagogue and features the singer dramatically set against a backdrop of the synagogue. The original source image was previously featured in the April 2011 USA Today print article, “New Orleans is back, and so is the talent”.

JazzFest Shabbat 2012
Jazzfest Shabbat is a very special event, bringing together Judaism, and the warmth and community of a Shabbat service, with the best in New Orleans music. See Touro Synagogue JazzFest Shabbat 2012 for more information on the service and performance.
Posted in Latest News
Also tagged concert photography, Eye on the Music, jazz photography, jazz vocals, Jazzfest, Jazzfest Shabbat, Jim Brock Photography, John Boutte, live music, music photography, New Orleans jazz, New Orleans Jazz and Heritage Festival, New Orleans music, Nine Lives, rock photography, Touro Synagogue, Treme
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Jim Brock’s Photography featured on Honey Island Swamp Band site
Jim Brock Photography and EyeOnTheMusic.com‘s recent posting on the June 26th Honey Island Swamp Band show at The Mint is currently featured on the HISB web site. This was the band’s Los Angeles debut and a great set that did not disappoint. Check them out at www.honeyislandswampband.com.
Posted in Latest News
Also tagged concert photography, Eye on the Music, Honey Island Swamp Band, Jim Brock Photography, music photography, The Mint
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Honey Island Swamp Band, The Mint

Chris Mule and Aaron Wilkinson doing some shredding
June 26, 2011
Honey Island Swamp Band swung into the Westside on Saturday, another NOLA nugget appearing at the Mint. This is a New Orleans band that reflects its Katrina Diaspora-Bay Area birth with chunky and soulful jams, tight arrangements and great material. If you are expecting ballads, standards, and second lines, this ain’t that NOLA band. Whether moving easily from moments Dead infused or Dr. John influenced, their self-described Bayou Americana sound never loses sight of its swampy swagger or solo driven joy. The band has kicked ass at Jazzfest the past few years, so a chance to enjoy them here in the Southland was indeed a treat, and to my knowledge, The Mint gig is their first Los Angeles show.

Aaron Wilkinson feelin' it
At Fest performances and in the studio, HISB often fattens their arrangements with horns, and Saturday had that taste with Karl Denson sitting in for both sets contributing frequent solos and locking into some killer grooves with Trevor Brooks on keys and Chris Mule’s SG/Strat driven leads. When not providing the good time feel of a summer day front porch harp, Aaron Wilkinson switched between mandolin and his hollow-body Tele, taking the bluegrass string thing into Hendrix/Page territory, while the rhythm section of Sam Price and Garland Paul just kept having too much fun and pushing the band ahead. HISB can swing easily from romps like “Natural Born Fool”, and the Anders Osborne reminiscent “Till the Money’s Gone,” to there and back deep intense jams like “Wishing Well”. While the material is straight ahead, HISB is not shy about stretching out live.

Karl Denson sitting in all night
The mixed crowd ranged from music savvy date night couples, thrilled to have the tables gone and the dance floor open for the second set, to the usual NOLA diehards that wouldn’t miss it. The vibe was relaxed and up.
This summer tour behind the their recent Threadhead Records release, “Good to You”, takes HISB from the where it all began of San Francisco’s Boom-Boom Room, to the where it was always meant to be at Tipitina’s in NOLA. I suspect they will be back in the SoCal soon, and playing bigger places. Catch them while you can.

Mssrs. Mule, Wilkinson and Price
Jazzfest 2011 closing thoughts
Jazzfest 2011 is in the books. Weekend 2 brought the it could only happen here bag of familiar closers (Jimmy Buffet, the Nevilles, et al), epic sonics (Arcade Fire, Wilco), roots, (not so) alt-country and blues (Lucinda Williams, Greg Allman, Willie Nelson), mind-bending bills (Trombone Shorty>The Strokes), sentimental moments (Rads farewell, Christian Scott proposing in the middle of his set), jazz giants (Sonny Rollins) and local and regional artists who have been, and always will be, the heartbeat of the Fest. The lack of a jam band closer seemed to go unnoticed, supplanted by an edgier, “indie” orientation – an eclectic mix even by Fest standards. “Only at Jazzfest could….” 50/60-somethings leave their front row seat for Robert Randolph and the Family Band to catch Kid Rock.

Christian Scott, WWOZ Jazz Tent, May 5, 2011

Greg Allman, Blues Tent, May 8, 2011
The weather cooperated to the point of being freaky. Not a drop of rain all seven days, temps warm to warmer, but not scorching. As always, the food will take a year to work off and worth it.

Kirk Joseph's Tuba Tuba, Jazz and Heritage Stage, May 7, 2011
Whether at the Fairgrounds or night shows, I couldn’t split myself in half. Simply too much good stuff to go around.

Anders Osborne, Down on the Bayou III, Howlin' Wolf, May 5, 2011
Most of my time shooting circled the Jazz and Blues Tents, and unexpectedly (or not), the moments I took away most from this second weekend, both personally and as a photographer, were provided by the New Orleans musicians and artists I’ve covered/attended many times over. Sure, Henry Butler, Sonny Landreth and Robert Randolph tore up the Blues Tent on Sunday, and Aaron Neville’s Amazing Grace brought church to the Acura crowd as the sun went down. But the stage debut of Nine Lives during the week, and songs transformed by the Rolling Road Show at the Fest were something so big, you had to step back, smile and cry a little. There seems to be new meaning and new power in New Orleans. Rebuild, renew, that’s what people do, indeed.

Paul Sanchez and the Rolling Road Show, Lagniappe Stage, May 7, 2011

Aaron Neville, Acura Stage, May 8, 2011
Posted in Reviews
Also tagged Aaron Neville, Acura Stage, alt-country, Anders Osborne, Andy Comeau, Arcade Fire, Arsene DeLay, back to the Bayou, blues, Blues Tent, Christian Scott, concert photography, Craig Klein, Eye on the Music, fairgrounds, funk, Greg Allman, Hammond organ, Henry Butler, Howlin' Wolf, jazz, Jazz Tent, Jazzfest, Jim Brock Photography, Jimmy Buffet, Kid Rock, Kirk Joseph, Lagniappe Stage, Lucinda Williams, Matt Perrine, Michael Cerveris, music photography, Nevilles, New Orleans jazz, New Orleans Jazz and Heritage Festival, New Orleans music, Nine Lives, Paul Sanchez, Robert Randolph, Rolling Road Show, Shamarr Allen, Sonny Landreth, Sonny Rollins, Strokes, Threadheads, Treme, Trombone Shorty, trumpet, tuba, Tuba Tuba, Wilco, Willie Nelson
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New Orleans is back, and so is the talent
Jim Brock Photography’s image of Shamarr Allen from last year’s inaugural Threadhead Thursday at City Park is featured in this excellent USA Today article. Paying the rent as a professional musician is tough enough as it is. To say it has been a long haul can’t begin to describe the heartbeat and swing of the sounds you can’t hear or feel anywhere else. Check out the article at www.usatoday.com

Shamarr Allen, City Park, New Orleans, April 22, 2010
Posted in Latest News
Also tagged City Park, concert photography, Eye on the Music, funk, jazz, Jazzfest, Jim Brock Photography, live music, music photography, New Orleans jazz, New Orleans Jazz and Heritage Festival, New Orleans music, Shamarr Allen, Threadhead Thursday, Threadheads, Treme, trumpet, USA Today
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