May 23
by Jim Brock in Reviews 0 comments tags: Aaron Wilkinson, Acura Stage, alt-country, Americana, Anders Osborne, BB King tribute, Ben ellman, Big Sam Williams, Billy Gibbons, Blodie's Jazz Jam, blues, Blues Tent, Bonnie Raitt, Boz Scaggs, Brandi Carlile, Brian Blade, Buddy Guy, Carl Dufrene, Chris Mule, classic rock, Clevenger, concert photography, Congo Square Stage, Cyril Neville, Dap Kings, Dave Malone, David Shaw, Derek Trucks, Dirty Dozen Brass Band, Donald Fagen, Economy Hall, Efrem Towns, Elvis Costello, Eye on the Music, Fais Do-Do Stage, Gal Holiday, Galactic, Gary Clark Jr., Gentilly Stage, Gibson SG, Gov't Mule, Gregory Porter, Herbie Hancock, Herlin Riley, hip hop, Honey Island Swamp Band, Hot 8 Brass Band, J Cole, Jack DeJohnette, jam bands, jam bands Susan Tedeschi, Janelle Monae, Jarekus Singleton, Jazz and Heritage Stage, jazz photography, Jazz Tent, Jim Brock Photography, Jim James, Jimmy Vaughn, John Hammond, Kirk Joseph, Kristin Diable, Lauryn Hill, Little Freddie King, Lost Bayou Ramblers, Mardi Gras Indian, Matt Garrison, Michael McDonald, Midnite Disturbers, Monk Boudreaux, My Morning Jacket, Nathaneil Rateliff, Neil Young, New Orleans Jazz and Heritage Festival, Nicholas Payton, Nightsweats, Paul Simon, Preservation Hall Jazz Band, Promise of the Real, Radiators, Raw Oyster Cult, Revivalists, Rhiannon Giddens, roots music, Shannon Powell, Sharon Jones, Skerik, Snarky Puppy, Sonor, Soul Rebels, sousaphone, Steely Dan, Stratocaster, Subdudes, Tab Benoit, Tedeschi Trucks Band, Terence Blanchard, trombone, Voice of the Wetlands All-Stars, Walter Trout, Warren Haynes, WWOZ Jazz Tent, ZZ Top

Reflections and Musings of a Jazz Fest Photographer – 2016 Edition

  Yeah, it’s been a year of musical losses. But, Prince, the day before Jazz Fest 47 got underway? WTF? From the glyph etched in the blue above the Fair Grounds the first weekend, to the Treme second line the Monday following, to My Morning Jacket’s howling “Purple Rain” finish second Friday, Jazz Fest did its part, as it always does. “I am because he was”, Janelle Monae confessed to the Congo Square stage crowd. And whether Prince or Bowie or Toussaint or B.B. or Merle, and on and on, Fest is where the music is honored and celebrated like no other gathering on the planet, even when heaven and earth throw everything at you. And this was a Fest like no other, where Stevie Wonder’s only Fair Grounds performance was an acapella Purple Rain through a bullhorn in a deluge, and where it was impossible to tell the booming thunder above, from Neil Young and POR below. The music stuck like the deep muck of the infield and never let go. And whether on stage, dancing with a stranger, singing along, holding back tears, sharing a bite, sleeping it off, that’s just a Jazz Fest fact. This photographer took […]
Jun 06
by Jim Brock in Reviews 1 comments tags: Acura Stage, Al Green, Allen Toussaint, Anders Osborne, Beach Boys, Ben Jaffe, blues guitar, Blues Tent, Bonnie Raitt, bottleneck slide, Bruce Hornsby, cajun music, Charles Neville, classic rock, concert photography, Congo Square Stage, Corey Henry, Dap Kings, Derrick Shezbie, Esperanza Spalding, Eye on the Music, Florence + the Machine, Florence Welch, Gabriela Quintero, Galactic, Gary Clark, Generations Hall, Gentilly Stage, George Porter, Gibson ES-335, Glen David Andrews, Glen Hansaard, Gospel Tent, Grace Potter, Grace Potter and the Nocturnals, Herbie Hancock, Intsruments A Comin', Irma Thomas, James Cotton, jazz, jazz photography, Jazz Tent, Jim Brock Photography, John Boutte, Johnny Vidacovich, Joseph Lastie, Lakland bass, Leo Nocentelli, live music, Mike Love, music photography, My Morning Jacket, New Orleans jazz, New Orleans Jazz and Heritage Festival, New Orleans music, New Orleans Musicians for Obama, Noisemakers, Patrick Hallahan, Paul Sanchez, pedal steel, piano, Preservation Hall Jazz Band, Radio Music Society, rebirth Brass Band, Rodrigo Sanchez, Rodrigo y Gabriela, Savoy Music Center, Sharon Jones, Soul Rebels Brass Band, soul singers, sousaphone, Stanton Moore, Stratocaster, surf music, Swell Season, Takamine, Terence Higgins, The Meters, The Revivialists, Threadhead Records, Tipitina's, Tipitina's Foundation, Treme, trombone, Trombone Shorty, trumpet, tuba, Voice of the Wetlands, Warren Haynes, Warren Haynes Band, zydeco music

Jazzfest 2012 Reflections

From the Revivalists passionate opening Gentilly set to the final moments of Springsteen’s plaintive reading of Saints, the first weekend of Jazzfest 2012 was an abundance of special moments.  Yes, the draws were the Acura headliners. Petty and Bruce delivered deep satisfying sets (from what I was able to catch), and Springsteen’s presence was a rallying cry of celebration and reflection. A reminder of how New Orleans has healed since his epic 2006 post-Katrina Seeger Sessions appearance, and how far there is still to go. Even the Beach Boys brought their game, judging by the smiles and sing alongs from a nice size Acura crowd. But, hey, did you check out Seun Kuti and Egypt 80 at Congo Square?  The four generations of players from 9 to 90+ that filled the Fais Do Do on Saturday for the Savoy Music Center Cajun Jam? How about Bon Iver’s stirring (and unexpected) connection with the Jazzfest crowd? Gary Clark, Jr. absolutely tearing down the Blues Tent opposite the Boss with Texas blues that left teeth marks? Not to mention the Voice of the Wetlands All-Stars and Jon Cleary & the Absolute Monster Gentlemen showing Tom Petty how it’s done in New Orleans. […]